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                  <text>1. 蜡染 Dyeing</text>
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                <text>蜡染袖片 Batik Sleeves</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------batik"&gt;蜡染 Batik&lt;/a&gt;</text>
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                <text>（简）袖片主要为黑白色，蜡染和留白部分对比分明，蜡染图案集中在中间，上下则饰有白色的条纹，构图对称。此袖片运用了蜡染的制作技艺。蜡染即蜡画和染色，是延续千年的民间传统工艺。用蜡液在自织的白布上精心绘上图案，然后在蓝靛缸里浸染几次后捞出，放在锅里用开水煮去蜡质，再用水清洗浮色，即呈现出各种白色图案。蜡染的工艺十分费工费时，精致图案凸显制作者十分用心，把代代相传的传统工艺发扬光大。 &#13;
&#13;
(ENG) Batik sleeves: black and white. Batik and the sections that are intentionally left blank contrast with each other. Batik patterns are concentrated at the central part of the sleeves, while the top and bottom parts are symmetrically decorated with white stripes.  Batik involves wax drawing and dyeing and is a traditional art that has been used by the Miao people for thousands of years. Creating a batik piece of clothing is time consuming, labour intensive and takes great skill. Firstly, wax is used to draw intricate patterns on self-weaved white cloth. The cloth is then immersed several times into a barrel of indigo blue dye and taken out. The cloth is then boiled to remove excess wax, and washed with water to reveal diverse white patterns. The art of batik has been passed down through many generations.&#13;
&#13;
（繁）袖片主要為黑白色，蠟染和留白部分對比分明，蠟染圖案集中在中間，上下則飾有白色的條紋，構圖對稱。此袖片運用了蠟染的製作技藝。蠟染即蠟畫和染色，是延續千年的民間傳統工藝。用蠟液在自織的白布上精心繪上圖案，然後在藍靛缸里浸染幾次後撈出，放在鍋裡用開水煮去蠟質，再用水清洗浮色，即呈現出各種白色圖案。蠟染的工藝十分費工費時，精緻圖案凸顯製作者十分用心，把代代相傳的傳統工藝發揚光大。 </text>
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                <text>苗族 The Miao</text>
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                <text>上世纪50年代 Last century 50s</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州省毕节市织金县 Guizhou Huajie Zhijin County</text>
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                <text>蜡染被面 The Batik Work</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------batik"&gt;蜡染 Batik&lt;/a&gt;，大幅蜡染花鸟画 Large baltik drawing of flowers and birds</text>
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                <text>（简）被面绘有大幅的花鸟画，线条流畅，细节精美，栩栩如生。花鸟画的构图对称，图案亦有喜庆吉祥之寓意。此被面运用了蜡染的制作技艺。蜡染即蜡画和染色，是延续千年的民间传统工艺。用蜡液在自织的白布上精心绘上图案，然后在蓝靛缸里浸染几次后捞出，放在锅里用开水煮去蜡质，再用水清洗浮色，即呈现出各种白色图案。蜡染的工艺十分费工费时，精致图案凸显制作者十分用心，把代代相传的传统工艺发扬光大。 &#13;
&#13;
(ENG) Batik work: painted with large drawings of flowers and birds, the clean lines and exquisite details of this piece are realistic as well as artistic. Symmetrical composition of flowers and birds, with the pattern also having connotations of festivity and auspiciousness. Batik, a technique of beeswax drawing and dyeing, is usually to carefully sketch out patterns on a self-woven white cloth. The cloth is then dipped in a solution of blue indigo several times, then placed in boiling water to remove the wax-resistant dye. The batik process is very labour intensive and time consuming and is an art form that has been passed down from generation to generation. &#13;
&#13;
（繁）被面繪有大幅的花鳥畫，線條流暢，細節精美，栩栩如生。花鳥畫的構圖對稱，圖案亦有喜慶吉祥之寓意。此被面運用了蠟染的製作技藝。蠟染即蠟畫和染色，是延續千年的民間傳統工藝。用蠟液在自織的白布上精心繪上圖案，然後在藍靛缸里浸染幾次後撈出，放在鍋裡用開水煮去蠟質，再用水清洗浮色，即呈現出各種白色圖案。蠟染的工藝十分費工費時，精緻圖案凸顯製作者十分用心，把代代相傳的傳統工藝發揚光大。 </text>
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                <text>贵州黔东南苗族侗族自治州丹寨县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Danzhai County</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------batik"&gt;蜡染 Batik&lt;/a&gt;，鸟龙纹 Bird dragon pattern</text>
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                <text>（简）蜡画中间绘有鸟龙纹，外框则饰有方形和几何图案。此蜡画运用了蜡染的制作技艺。蜡画，即蜡染的第一步，铜质蜡刀蘸上枫蜡溶液于纯棉白布上绘制图案，少数民族女孩一般从6-7岁便开始学习画蜡，由家中母亲、外婆、奶奶等传授。蜡画图案的鸟龙纹屬於榕江地区蜡染风格，图案线条流畅细腻，灵动可爱，栩栩如生，需要长时间的学习和制作才可有此画蜡功底。&#13;
&#13;
(ENG) Batik drawing:  bird dragon pattern drawn in the middle, with squares and geometric patterns decorated on the borders of the drawing. Techniques of batik are used to produce this drawing. Batik drawing is the first step of batik. The copper wax knife is dipped in maple wax solution to draw patterns on white cotton cloth. Taught by the mother, grandmother and grandma, minority girls generally start to learn wax painting from the age of 6-7. The bird dragon pattern on the batik drawing belongs to the batik style in the Rongjiang area. The pattern is smooth, delicate, vibrant and realistic. The excellent skills of batik drawing require a long time to learn and practice.&#13;
&#13;
（繁）蠟畫中間繪有鳥龍紋，外框則飾有方形和幾何圖案。此蠟畫運用了蠟染的製作技藝。蠟畫，即蠟染的第一步，銅質蠟刀蘸上楓蠟溶液於純棉白布上繪製圖案，少數民族女孩一般從6-7歲便開始學習畫蠟，由家中母親、外婆、奶奶等傳授。蠟畫圖案的鳥龍紋屬於榕江地區蠟染風格，圖案線條流暢細膩，靈動可愛，栩栩如生，需要長時間的學習和製作才可有此畫蠟功底。</text>
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                <text>贵州黔东南苗族侗族自治州榕江县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Rongjiang County</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Flat stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，石榴 Pomegranate，桃子 Peach，由蝴蝶变形而成的花纹 Butterfly-transformed flower pattern</text>
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                <text>（简）苗衣色彩鲜明，在红色底布上绣上青蓝、鹅黄、粉红等亮色，用色大胆、夺目活泼。此苗衣运用了平绣、叠绣和数纱绣。刺绣图案有水果和各种变形为花纹的蝴蝶，十分具想像力和创造力。 《枫木歌》描述道：从树心里生出「妹榜妹留」，妹榜妹留指的就是蝴蝶。蝴蝶逐渐长大，生下十二个蛋，由脊宇鸟抱了16年，孵出了雷公、水龙、老虎、水牛、蜈蚣、老蛇和苗族的祖先——姜央。蝴蝶纹代表苗族祖先，可见制作者表达了对祖先的崇敬与缅怀。&#13;
&#13;
(ENG) Leishan old Miao coat: red base cloth with embroidered bright colours including blue, yellow and pink. The colours used are lively, bold and eye catching. Flat stitch, stack stitch and counted thread stitch are used. The imaginative and creative embroidered patterns include fruits and butterflies metamorphosed as flower patterns. Maple Song states: Mais Bangx Mais Lief (Mama butterfly) was born from the pith of a tree. Mais Bangx Mais Lief refers to a butterfly which gradually grew and laid twelve eggs which were then cared for by the Divine Bird for 16 years. Thunder god, water dragon, tiger, buffalo, centipede, old snake and the ancestor of the Miao, Jiang Yang, hatched from the eggs. The butterfly pattern represents the Miao’s ancestry and cultural heritage and expresses the crafter’s respect for and remembrance of their ancestors.&#13;
&#13;
（繁）苗衣色彩鮮明，在紅色底布上繡上青藍、鵝黃、粉紅等亮色，用色大膽、奪目活潑。此苗衣運用了平繡、疊繡和數紗繡。刺繡圖案有水果和各種變形為花紋的蝴蝶，十分具想像力和創造力。 《楓木歌》描述道：從樹心裡生出「妹榜妹留」，妹榜妹留指的就是蝴蝶。蝴蝶逐漸長大，生下十二個蛋，由脊宇鳥抱了16年，孵出了雷公、水龍、老虎、水牛、蜈蚣、老蛇和苗族的祖先——姜央。蝴蝶紋代表苗族祖先，可見製作者表達了對祖先的崇敬與緬懷。</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>雷山县西江镇 Leishan County Xijiang Town</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------wrinkling-stitch"&gt;皱绣 Wrinkling stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stem-stitch"&gt;轴绣 Stem stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，文字 Chinese characters，囍福 Fortune pattern，盘长 Shrivatsa，寿纹 Shou pattern</text>
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                <text>（简）文字衣的领口、肩部和袖子采用红色底布，上面绣满文字刺绣，在黑色袖口和下摆的衬托下分外夺目耀眼。此文字衣运用了皱绣、轴绣、数纱绣和叠绣。文字衣绣有各种吉祥图案，如盘长、寿纹，以及文字——「功成精巧」。文字刺绣是该藏品的最大特色，制作者将文字变成图纹，例如袖子上被压成三角形的「福」字，甚具创意和想像力。这件藏品绣法多样，文字信息丰富，收藏价值甚高。&#13;
&#13;
(ENG) Leishan Chinese characters clothing: red base fabric for the collar, shoulder area and sleeves, embroidered with Chinese characters. The characters are particularly dazzling and eye catching against the black cuffs and hem. Wrinkling stitch, stem stitch, counted thread stitch and stack stitch are used. Embroidered auspicious patterns include Shrivatsa, Shou and the Chinese text “功成精巧” , which means ‘achievement and exquisiteness’. Text embroidery is the most iconic feature of this piece. With great creativity and imagination, the creator has turned characters into patterns, such as the “福” character pressed into a triangle on the sleeves. This piece makes use of various stitching techniques with rich text messages and is a highly valuable part of the collection.&#13;
&#13;
（繁）文字衣的領口、肩部和袖子採用紅色底布，上面繡滿文字刺繡，在黑色袖口和下擺的襯托下分外奪目耀眼。此文字衣運用了皺繡、軸繡、數紗繡和疊繡。文字衣繡有各種吉祥圖案，如盤長、壽紋，以及文字——「功成精巧」。文字刺繡是該藏品的最大特色，製作者將文字變成圖紋，例如袖子上被壓成三角形的「福」字，甚具創意和想像力。這件藏品繡法多樣，文字信息豐富，收藏價值甚高。</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/items/show/101"&gt;雷山文字衣 Leishan Chinese Characters Clothing (#27)&lt;/a&gt;</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------wrinkling-stitch"&gt;皱绣 Wrinkling stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------applique"&gt;剪贴绣 Applique&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stem-stitch"&gt;轴绣 Stem stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，花卉纹 Flower pattern，福禄 Phlox，吉祥 Auspicious，鱼纹 Fish pattern，水波纹 Water wave pattern，斜山字纹 Oblique strips pattern</text>
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                <text>（简）文字衣整体为黑色，在袖子和领子饰有红色刺绣，有吉祥幸福之寓意。此文字衣运用了皱绣、剪贴绣、辫绣镶边、数纱绣、轴绣和叠绣。皱绣先取7-8-9颗丝线编制为一种特殊绣线，这种绣线宽而扁平，形同女孩子的发辫。将辫线折叠并固定，便形成一种立体并厚实的特殊绣线，再用绣线盘出各种图案，让刺绣与底布之间形成凹凸感，制造恍如浅浮雕的视觉效果。叠绣，又称堆绣，是将上过浆的轻薄丝绫面料裁剪折叠成细三角形，堆叠于底布之上，边堆边用针线固定，组合成矩形的饰片。该藏品采用了多种刺绣技艺，做工细致精巧，不可多得。&#13;
&#13;
(ENG) Leishan Chinese characters clothing: mainly black with red embroideries stitched on the sleeves and collar, symbolising auspiciousness and happiness. Wrinkling stitch, appliqué, couched braid stitch rim, counted thread stitch, stem stitch and stack stitch are used. For the wrinkling stitch, 7 to 9 silk threads are first taken and woven into a special embroidery thread that is broad and flat, similar to a girl’s thickly braided hairstyle. The thread is folded in half and fixed with a silk thread through the middle. This creates a thick thread which could be used to embroider different patterns on the fabric. The embroidery stitched with this thread stands out against the flat garment, producing a bas-relief effect. Stack stitch, also known as pile stitch, is made by cutting and folding a piece of glued thin silk fabric into small triangular shapes. These small pieces are then stacked on top of the base cloth, with the sides fixed with needle and thread, to create a rectangular ornament. This item uses a variety of embroidery techniques and its intricate and exquisite workmanship make it a rarity. &#13;
&#13;
（繁）文字衣整體為黑色，在袖子和領子飾有紅色刺繡，有吉祥幸福之寓意。此文字衣運用了皺繡、剪貼繡、辮繡鑲邊、數紗繡、軸繡和疊繡。皺繡先取7-8-9顆絲線編制為一種特殊繡線，這種繡線寬而扁平，形同女孩子的髮辮。將辮線折疊並固定，便形成一種立體並厚實的特殊繡線，再用繡線盤出各種圖案，讓刺繡與底布之間形成凹凸感，製造恍如淺浮雕的視覺效果。疊繡，又稱堆繡，是將上過漿的輕薄絲綾面料裁剪折疊成細三角形，堆疊於底布之上，邊堆邊用針線固定，組合成矩形的飾片。該藏品採用了多種刺繡技藝，做工細緻精巧，不可多得。</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------couched-braid-stitch"&gt;辫绣 Couched braid stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，双身龙纹 Double dragon pattern，蝴蝶纹 Butterfly pattern，斜山字纹 Oblique strips pattern</text>
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                <text>（简）绣苗衣的刺绣集中在领口、肩部和衣袖，红色底布上的丰富绣纹华丽悦目。此绣苗衣运用了辫绣、叠绣和数纱绣。叠绣，又称堆绣，是将上过浆的轻薄丝绫面料裁剪折叠成细三角形，堆叠于底布之上，边堆边用针线固定，组合成矩形的饰片。斜山字纹也是古代回纹的一种表相，常作为雷山地区苗族绣花衣衣襟部分的主要图案出现，图案回环反复，连绵不断，代表着富贵长久之意。该件藏品的收藏价值甚高，构图饱满、图案罕见，做工精细。&#13;
&#13;
(ENG) Leishan embroidered Miao coat: embroideries concentrated on the neckline, shoulder and sleeve areas. The rich embroidery patterns on the red base fabric are gorgeous and pleasing to behold. Couched braid stitch, stack stitch and counted thread stitch are used. Stack stitch, also known as pile stitch, is created by cutting and folding glued light silk fabric into small triangles. These triangles are then stacked on the base fabric and fixed with needle and thread to form a rectangular patch. The oblique striped pattern is also a form of an ancient circular letter pattern, often appearing as the main embroidery pattern of the Miao people in Leishan. The pattern loops repeatedly and continuously, symbolising long lasting wealth. This coat, with its rare patterns, rich composition and fine workmanship, is a highly valued part of the cultural heritage collection.&#13;
&#13;
（繁）繡苗衣的刺繡集中在領口、肩部和衣袖，紅色底布上的豐富繡紋華麗悅目。此繡苗衣運用了辮繡、疊繡和數紗繡。疊繡，又稱堆繡，是將上過漿的輕薄絲綾面料裁剪折疊成細三角形，堆疊於底布之上，邊堆邊用針線固定，組合成矩形的飾片。斜山字紋也是古代迴紋的一種表相，常作為雷山地區苗族繡花衣衣襟部分的主要圖案出現，圖案回環反复，連綿不斷，代表著富貴長久之意。該件藏品的收藏價值甚高，構圖飽滿、圖案罕見，做工精細。</text>
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                <text>贵州黔东南苗族侗族自治州雷山县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Leishan County </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------couched-braid-stitch"&gt;辫绣 Couched braid stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，花鸟纹 Flower and bird pattern</text>
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                <text>（简）苗衣整体为黑色，领子、肩部和袖口饰有刺绣，在红色底布上采用了多种颜色的丝线，如黄、绿、粉红和紫色，层次丰富。此苗衣运用了辫绣和数纱绣。雷山地区的苗族喜用红色布料制作刺绣服饰，采用各种绿色丝线进行刺绣，如深绿，浅绿，嫩绿等，俗称红底绿花。强烈的对比色更能衬托服饰色彩的艳丽，令刺绣图案更为突出。 &#13;
&#13;
(ENG) Miao coat, predominantly black. The collar, shoulder areas and cuffs are decorated with embroideries. Yellow, green, pink and purple embroidery threads are used on the red base cloth, creating rich layers. Couched braid stitch and counted thread stitch are used. Miao of the Leishan area like to use red fabric to embroider their clothes while using embroidery threads of different shades of green, such as deep green, light green and soft green. This preference for a red base and green embroidery is commonly referred to as ‘red base and green flower’. The embroidery patterns are emphasised through the use of gorgeous, strong complementary colours.&#13;
&#13;
（繁）苗衣整體為黑色，領子、肩部和袖口飾有刺繡，在紅色底布上採用了多種顏色的絲線，如黃、綠、粉紅和紫色，層次豐富。此苗衣運用了辮繡和數紗繡。雷山地區的苗族喜用紅色布料製作刺繡服飾，採用各種綠色絲線進行刺繡，如深綠，淺綠，嫩綠等，俗稱紅底綠花。強烈的對比色更能襯托服飾色彩的艷麗，令刺繡圖案更為突出。</text>
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                <text>上世纪50年代 Last century 50s</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------wrinkling-stitch"&gt;皱绣 Wrinkling stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------couched-braid-stitch"&gt;辫绣 Couched braid stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，九翅飞龙 Nine-winged dragon，蝴蝶妈妈 Butterfly pattern，鱼纹 Fish pattern，斜山字纹 Oblique strips pattern，莲花纹 Water-lily pattern，荷花纹 Lotus pattern</text>
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                <text>（简）苗衣采用了传统古法布料——小斗纹布，在领口、肩部和衣袖绣有图案。此苗衣运用了皱绣、辫绣和叠绣。斜山字纹也是古代回纹的一种表相，常作为雷山地区苗族绣花衣衣襟部分的主要图案出现，图案回环反复，连绵不断，代表着富贵长久之意。皱绣先取7-8-9颗丝线编制为一种特殊绣线，这种绣线宽而扁平，形同女孩子的发辫。将辫线折叠并固定，便形成一种立体并厚实的特殊绣线，再用绣线盘出各种图案，让刺绣与底布之间形成凹凸感，制造恍如浅浮雕的视觉效果。该件藏品的收藏价值甚高，构图饱满，图案罕见，做工非常精细。&#13;
&#13;
(ENG) Leishan Miao coat: traditional fabric with a unique criss-cross pattern. Embroidery is stitched on the collar, shoulder area and the sleeves. Wrinkling stitch, couched braid stitch and slack stitch are used. Tilted shan pattern, which is also a type of circular letter pattern, is commonly used by the Miao in the Leishan region as the main placket pattern on their embroidered clothes. These patterns are continuous and repetitive to symbolize longevity and prosperity. For the wrinkling stitch, 7 to 9 silk threads are taken and woven into a special embroidery thread. This thread is broad and flat, akin to a girl’s long ponytail. The thread is folded in half and fixed with a silk thread through the middle. This creates a three dimensional thick thread which can be used to embroider different patterns onto the fabric. The embroidery stitched with this thread stands out against the flat garment, producing a bas-relief effect. With its exquisite craftsmanship, a rare pattern and rich composition this piece is highly collectable.&#13;
&#13;
（繁）苗衣採用了傳統古法布料——小鬥紋布，在領口、肩部和衣袖繡有圖案。此苗衣運用了皺繡、辮繡和疊繡。斜山字紋也是古代迴紋的一種表相，常作為雷山地區苗族繡花衣衣襟部分的主要圖案出現，圖案回環反复，連綿不斷，代表著富貴長久之意。皺繡先取7-8-9顆絲線編制為一種特殊繡線，這種繡線寬而扁平，形同女孩子的髮辮。將辮線折疊並固定，便形成一種立體並厚實的特殊繡線，再用繡線盤出各種圖案，讓刺繡與底布之間形成凹凸感，製造恍如淺浮雕的視覺效果。該件藏品的收藏價值甚高，構圖飽滿，圖案罕見，做工非常精細。</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔东南苗族侗族自治州雷山县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Leishan County </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------double-twist-knot-st"&gt;缩宝绣为主 Mainly double-twist knot stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------couching-stitch"&gt;绞绣 Couching stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------applique"&gt;剪贴绣 Applique&lt;/a&gt;，花草纹 Flower and grass pattern，桃子 Peach，石榴 Pomegranate，蝶纹 Butterfly pattern，盘长纹 Shrivatsa pattern</text>
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                <text>（简）苗衣的刺绣部分为红底绿花，即用红色底布和各种绿色丝线，如深绿、浅绿、嫩绿等，是典型的雷山服饰特点。此苗衣运用了缩宝绣、绞绣、叠绣和剪贴绣。缩宝绣和皱绣一样，绣线皆由特殊技法编制而成，再将编制好的丝线盘成一个一个的小圆宝，组合刺绣成各种花鸟和动物图案，令刺绣图案和底布之间形成凹凸感，产生浅浮雕效果。雷山地区服饰常以龙纹为主要图案，而该藏品的图案则以花果纹为主，有桃子、石榴，还有很多花蝶纹。另外在绞绣部分有很多汉族文化的图案，如中国八吉图案——盘长。这反映出苗族在生活中也吸收了很多汉族文化，虽无文字，但苗族妇女仍能用她们擅长的针线记录之。&#13;
&#13;
(ENG) Leishan Miao coat: embroidery with typical Leishan ‘red base and green flower’, which refers to various shades of green threads, such as dark green, light green and tender green, used on top of a red base cloth.  Double-twist knot stitch, couching stitch, stack stitch and appliqué are used. As with wrinkling stitch, the silk thread used for the double-twist knot stitch has to be first woven using a special technique. Woven silk threads are made into small rounded balls, then combined to form various flower, bird and animal patterns. With this bas-relief effect, the embroidery stands out against the flat garment. Leishan area clothing often uses dragon patterns as the main pattern, yet the pattern of this dress is mainly of flowers and fruits, with peaches, pomegranates and various flower and butterfly patterns. For the couching stitch, many patterns derived from the Han culture can be discerned, including the Chinese Baji pattern-Shrivatsa. Such similar patterns reflect that the Miao people have assimilated considerably with Han culture. Although there is no written text in the Miao dialect, Miao women creatively use their exceptional needlework to record their history.  &#13;
&#13;
（繁）苗衣的刺繡部分為紅底綠花，即用紅色底布和各種綠色絲線，如深綠、淺綠、嫩綠等，是典型的雷山服飾特點。此苗衣運用了縮寶繡、絞繡、疊繡和剪貼繡。縮寶繡和皺繡一樣，繡線皆由特殊技法編制而成，再將編制好的絲線盤成一個一個的小圓寶，組合刺繡成各種花鳥和動物圖案，令刺繡圖案和底布之間形成凹凸感，產生淺浮雕效果。雷山地區服飾常以龍紋為主要圖案，而該藏品的圖案則以花果紋為主，有桃子、石榴，還有很多花蝶紋。另外在絞繡部分有很多漢族文化的圖案，如中國八吉圖案——盤長。這反映出苗族在生活中也吸收了很多漢族文化，雖無文字，但苗族婦女仍能用她們擅長的針線記錄之。&#13;
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>雷山县西江镇 Leishan County Xijiang Town</text>
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