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                  <text>3. 刺绣 Embroidery</text>
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                <text>布依族服饰上衣 The Bouyei Costume Top</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------crossing-stitch"&gt;挑花 Crossing stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------applique"&gt;剪贴绣 Applique&lt;/a&gt;，八角星 Octagram pattern</text>
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                <text>（简）服饰上衣的底布和刺绣都主要采用了蓝色调，上衣的衣袖和前胸部分都有八角星图案，整体较为沉实朴素。此服饰上衣运用了挑花和剪贴绣 。这件藏品这也是贯首服的一种，是为有领贯首衣。贯首服常见于苗族、壮族和布依族，由于面料珍贵和布幅宽度的限制，制作者便将衣服裁剪为几何形，尽量减少因裁剪而造成的布料浪费，是民间妇女「物尽其用」的智慧体现。&#13;
&#13;
(ENG) The Bouyei Costume Top; The base fabric and embroideries are mainly in blue, which is relatively simple and plain. Crossing stitch and applique are used. It is a type of collared-robe. Robes are commonly found in the Miao, Zhuang and Buyi. Due to the rarity and the limitation in width of the fabrics, the makers cut the clothes into geometric shapes to minimize the waste of fabrics caused by cutting. It is a manifestation of wisdom of the folk women who “make best use of everything”. In terms of embroidery patterns, this costume is different from the octagram patterns found on previous clothings. &#13;
&#13;
（繁）服飾上衣的底布和刺繡都主要採用了藍色調，上衣的衣袖和前胸部分都有八角星圖案，整體較為沈實樸素。此服飾上衣運用了挑花和剪貼繡 。這件藏品這也是貫首服的一種，是為有領貫首衣。貫首服常見於苗族、壯族和布依族，由於面料珍貴和布幅寬度的限制，製作者便將衣服裁剪為幾何形，盡量減少因裁剪而造成的布料浪費，是民間婦女「物盡其用」的智慧體現。&#13;
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                <text>民国 Republic of China</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵阳市乌当区 Guiyang Wudang District</text>
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                <text>水族马尾绣背带 The Sui Horsetail Stitch Baby Carrying Belt</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------horsetail-stitch"&gt;马尾绣 Horsetail Stitch&lt;/a&gt;，蝴蝶花 Butterfly flower，太阳花 Sunflower，石榴 Pomegranate，锦鸡 Pheasant，寿字纹 Shou pattern</text>
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                <text>（简）背带的刺绣构图紧密，排列对称，做工十分精细。此背带运用了马尾绣。水族人称马尾绣为「歹结」，取马的尾巴并缠上白色丝线，做成特殊绣线。勾勒出刺绣图案的轮廓后，再在其图案里采用平绣、辫绣、挑花、跳针、乱针等刺绣技法进行图案的填充和美化。每件背带的制作都相当耗时耗工，蝴蝶与石榴图案的组合寓意多子多福，福寿连绵，代表着长辈对刚出生的新生命美好的祝福和祈愿。&#13;
&#13;
(ENG) Sui horsetail stitch baby carrying belt: densely packed embroidery in an orderly and symmetrical fashion, showing exceptional workmanship. Horsetail stitch is used. Known by the Sui as the ‘evil knot’, horsehair from a horse’s tail is entangled with white threads to create a special embroidery thread. This thread is used to outline the embroidery pattern, and then the centre is filled and decorated with beautiful patterns using other embroidery techniques such as flat stitch, couched braid stitch, crossing stitch, slip stitch and disorder stitch. The creation of each baby carrying belt is extremely time consuming and laborious. Each belt symbolises fecundity, auspiciousness and longevity. The butterfly and pomegranate patterns symbolise fecundity, auspiciousness and longevity and is an expression of the hopes and wishes of the older generation for the next generation.&#13;
&#13;
（繁）背帶的刺繡構圖緊密，排列對稱，做工十分精細。此背帶運用了馬尾繡。水族人稱馬尾繡為「歹結」，取馬的尾巴並纏上白色絲線，做成特殊繡線。勾勒出刺繡圖案的輪廓後，再在其圖案裡採用平繡、辮繡、挑花、跳針、亂針等刺繡技法進行圖案的填充和美化。每件背帶的製作都相當耗時耗工，蝴蝶與石榴圖案的組合寓意多子多福，福壽連綿，代表著長輩對剛出生的新生命美好的祝福和祈願。</text>
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                <text>水族 The Sui</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔南布依族苗族自治州三都水族自治县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Sandu Shui Autonomous County</text>
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                <text>苗牯藏服 The Miao Dress for Guzang Festival</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Flat stitch&lt;/a&gt;，蝴蝶纹 Butterfly pattern，苗龙纹 The Miao dragon pattern，脊宇鸟纹 Divine bird pattern，鱼纹 Fish pattern，虫纹 Insect pattern</text>
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                <text>（简）牯藏服通体满绣，刺绣图案大而满，刺绣丝线的色彩对比强烈，鲜艳亮丽。此牯藏服运用了平绣。牯藏服因苗族的「牯藏节」而得名，也有称作「大牛衣」或「百鸟服」。飘带裙下摆坠以无数鸟毛，穿上后犹如美丽的鸟儿穿梭与林间，据说在古代狩猎时有很好的隐蔽功能。牯藏服有男装女装之分，上衣和飘带链为一体为女装，上衣和飘带分开则为男装。&#13;
&#13;
(ENG) Dress for the Guzang Festival: brightly colourly dress, fully embroidered with large and dense patterns using silk threads of contrasting colours. Also known as the ‘big ox coat’ or ‘hundred bird clothing’, this piece is named after the famous Miao people’s Guzang Festival. The hem of the streamer skirt is decorated with countless bird feathers, giving its wearer the appearance of an elegant bird criss-crossing a lush jungle. It is said that in former times, this dress provided good camouflage when hunting. This dress has both male and female versions, with the male version separating its top and the streamers at the bottom, while the female version combines the two into one piece.&#13;
&#13;
（繁）牯藏服通體滿繡，刺繡圖案大而滿，刺繡絲線的色彩對比強烈，鮮豔亮麗。此牯藏服運用了平繡。牯藏服因苗族的「牯藏節」而得名，也有稱作「大牛衣」或「百鳥服」。飄帶裙下擺墜以無數鳥毛，穿上後猶如美麗的鳥兒穿梭與林間，據說在古代狩獵時有很好的隱蔽功能。牯藏服有男裝女裝之分，上衣和飄帶鍊為一體為女裝，上衣和飄帶分開則為男裝。</text>
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                <text>雷山苗衣 Leishan Miao Coat</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------double-twist-knot-st"&gt;缩宝绣为主 Mainly double-twist knot stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------couching-stitch"&gt;绞绣 Couching stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------applique"&gt;剪贴绣 Applique&lt;/a&gt;，花草纹 Flower and grass pattern，桃子 Peach，石榴 Pomegranate，蝶纹 Butterfly pattern，盘长纹 Shrivatsa pattern</text>
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                <text>（简）苗衣的刺绣部分为红底绿花，即用红色底布和各种绿色丝线，如深绿、浅绿、嫩绿等，是典型的雷山服饰特点。此苗衣运用了缩宝绣、绞绣、叠绣和剪贴绣。缩宝绣和皱绣一样，绣线皆由特殊技法编制而成，再将编制好的丝线盘成一个一个的小圆宝，组合刺绣成各种花鸟和动物图案，令刺绣图案和底布之间形成凹凸感，产生浅浮雕效果。雷山地区服饰常以龙纹为主要图案，而该藏品的图案则以花果纹为主，有桃子、石榴，还有很多花蝶纹。另外在绞绣部分有很多汉族文化的图案，如中国八吉图案——盘长。这反映出苗族在生活中也吸收了很多汉族文化，虽无文字，但苗族妇女仍能用她们擅长的针线记录之。&#13;
&#13;
(ENG) Leishan Miao coat: embroidery with typical Leishan ‘red base and green flower’, which refers to various shades of green threads, such as dark green, light green and tender green, used on top of a red base cloth.  Double-twist knot stitch, couching stitch, stack stitch and appliqué are used. As with wrinkling stitch, the silk thread used for the double-twist knot stitch has to be first woven using a special technique. Woven silk threads are made into small rounded balls, then combined to form various flower, bird and animal patterns. With this bas-relief effect, the embroidery stands out against the flat garment. Leishan area clothing often uses dragon patterns as the main pattern, yet the pattern of this dress is mainly of flowers and fruits, with peaches, pomegranates and various flower and butterfly patterns. For the couching stitch, many patterns derived from the Han culture can be discerned, including the Chinese Baji pattern-Shrivatsa. Such similar patterns reflect that the Miao people have assimilated considerably with Han culture. Although there is no written text in the Miao dialect, Miao women creatively use their exceptional needlework to record their history.  &#13;
&#13;
（繁）苗衣的刺繡部分為紅底綠花，即用紅色底布和各種綠色絲線，如深綠、淺綠、嫩綠等，是典型的雷山服飾特點。此苗衣運用了縮寶繡、絞繡、疊繡和剪貼繡。縮寶繡和皺繡一樣，繡線皆由特殊技法編制而成，再將編制好的絲線盤成一個一個的小圓寶，組合刺繡成各種花鳥和動物圖案，令刺繡圖案和底布之間形成凹凸感，產生淺浮雕效果。雷山地區服飾常以龍紋為主要圖案，而該藏品的圖案則以花果紋為主，有桃子、石榴，還有很多花蝶紋。另外在絞繡部分有很多漢族文化的圖案，如中國八吉圖案——盤長。這反映出苗族在生活中也吸收了很多漢族文化，雖無文字，但苗族婦女仍能用她們擅長的針線記錄之。&#13;
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>雷山县西江镇 Leishan County Xijiang Town</text>
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                <text>革一苗族老背扇 The Geyi Miao Baby Carrying Belt</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------knot-stitch"&gt;打籽绣 Knot stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，蝴蝶纹 Butterfly pattern，花草纹 Flower and grass pattern，漩涡纹 Spiral pattern</text>
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                <text>（简）背扇采用了红、绿和米色的丝线制作刺绣，红花绿叶的设计令花草纹活灵活现。此背扇运用了打籽绣和叠绣。打籽绣是一种将绳打结以呈现图案立体感的手法，先用丝线先将图案勾绣出轮廓，再用针尖在丝线底脚卷上两转，绕成颗粒状小圈，形成一粒籽，周而复始，直到这样的小籽密密麻麻布满整个图案内部。衡量一件好的打籽绣衣不仅要图案秀美，而且要求所打的每一颗籽要细小、圆润、饱满、紧实。叠绣，又称堆绣，是将上过浆的轻薄丝绫面料裁剪折叠成细三角形，堆叠于底布之上，边堆边用针线固定，组合成矩形的饰片。背扇通体布满绣纹，连边缘也饰有刺绣，可见制作者的认真态度和高超技艺。&#13;
&#13;
(ENG) Miao baby carry belt: embroidered with red, green and beige silk threads. The high contrast of red flowers with green leaves makes the flower patterns come alive. Knot stitch and stack stitch are used. Knot stitch is a method of knotting thread to create a three dimensional pattern. Firstly, the pattern is outlined with silk threads, then the needle is twice coiled around the bottom of the silk thread to form a small granular knot. This process is repeated until the pattern is filled with densely packed small knots. To judge a good knot stitch garment, not only the beautiful patterns are essential, it also requires every knot to be small, round, full, and firm. Stack stitch is created by cutting and folding lightly glued silk fabric into thin triangles, stacking them onto the base fabric and then fixing the stacks of fabric with needle and thread to form a rectangular patch. The entire baby carrying belt is covered with embroidered patterns and showcases the artistry and exquisite craftsmanship of its creator.  &#13;
&#13;
（繁）背扇採用了紅、綠和米色的絲線製作刺繡，紅花綠葉的設計令花草紋活靈活現。此背扇運用了打籽繡和疊繡。打籽繡是一種將繩打結以呈現圖案立體感的手法，先用絲線先將圖案勾繡出輪廓，再用針尖在絲線底腳卷上兩轉，繞成顆粒狀小圈，形成一粒籽，周而復始，直到這樣的小籽密密麻麻佈滿整個圖案內部。衡量一件好的打籽繡衣不僅要圖案秀美，而且要求所打的每一顆籽要細小、圓潤、飽滿、緊實。疊繡，又稱堆繡，是將上過漿的輕薄絲綾面料裁剪折疊成細三角形，堆疊於底布之上，邊堆邊用針線固定，組合成矩形的飾片。背扇通體佈滿繡紋，連邊緣也飾有刺繡，可見製作者的認真態度和高超技藝。&#13;
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                <text>苗族 The Miao</text>
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                  <text>2. 织锦 Weaving</text>
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                <text>台江苗族围腰 Taijiang The Miao Bellyband</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/-------coloured-brocade"&gt;织锦（彩锦）Brocade (colour)&lt;/a&gt;</text>
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                <text>（简）围腰中心部分饰有红色织锦，颜色明亮，刺绣图案丰富。此围腰运用了彩锦。该件围腰最大的特色在于织纹，正中心的几何牛角盘龙有龙角、龙须、龙舌、龙齿、龙鳞和龙爪，栩栩如生。龙身旁还围绕着四只形态各异的脊宇鸟纹，鸟头、鸟爪和翅膀都十分精巧。苗族的龙纹特别丰富，除了牛角龙的纹样，还有双身龙、双头龙、九翅飞龙、牛龙、蜈蚣龙、花草龙等等。千姿百态的紋樣凸显了制作者的创造力，仅靠织造纬线就将图案造型表现得如此生动鲜明。&#13;
&#13;
(ENG) Bellyband: the centre of the waistband is decorated with dramatic red brocade, with bright colours and rich patterns. Coloured brocade is used. The centre is decorated with a geometrical cow horn coiled dragon. The dragon body is surrounded by four different divine bird patterns, with prominent bird heads, claws and wings. Though solely weaving the weft, the patterns are lively and realistic. The dragon patterns of the Miao are incredibly diverse, and include the cow horn dragon, two-bodied dragon, two-headed dragon, nineteen-winged flying dragon, cow dragon, centipede dragon, flower and plant dragon. The dragons’ horns, beards, tongues, teeth, scales and claws are sewn with great vivacity and creativity.&#13;
&#13;
（繁）圍腰中心部分飾有紅色織錦，顏色明亮，刺繡圖案豐富。此圍腰運用了彩錦。該件圍腰最大的特色在於織紋，正中心的幾何牛角盤龍有龍角、龍鬚、龍舌、龍齒、龍鱗和龍爪，栩栩如生。龍身旁還圍繞著四隻形態各異的脊宇鳥紋，鳥頭、鳥爪和翅膀都十分精巧。苗族的龍紋特別豐富，除了牛角龍的紋樣，還有雙身龍、雙頭龍、九翅飛龍、牛龍、蜈蚣龍、花草龍等等。千姿百態的紋樣凸顯了製作者的創造力，僅靠織造緯線就將圖案造型表現得如此生動鮮明。</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/items/show/21"&gt;苗族围腰 The Miao Bellyband (#1424)&lt;/a&gt;</text>
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                <text>黔东南苗族侗族自治州台江县 Qiandongnan Miao and Dong Autonomous Prefecture Taijiang County</text>
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                  <text>3. 刺绣 Embroidery</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，几何纹 Geometric pattern</text>
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                <text>（简）背带通体满布红色刺绣，连绵不断，小巧的纹样排列十分有条理，雅致井然。此背带运用了数纱绣。黄平数纱绣图案多以几何纹为主，构图对称，做工精致。苗族喜用红色丝线刺绣，有喜气、活力之寓意，鲜艳的色彩更凸显了苗族刺绣的表现力。背带是少数民族妇女背小孩时使用的用具，苗族会将背带制作得很精美，这是母爱最直接的表现。&#13;
&#13;
(ENG) Baby carrying belt:  abundant red embroidery, stitched with identical geometric patterns. The geometric patterns are intricate and arranged in an orderly and elegant manner, conveying a sense of continuity. Counted thread stitch is used. Embroidery made with Huangpingshu counted thread stitch is often composed of geometric patterns with symmetrical composition and exquisite workmanship. The Miao like to use red thread for embroidery as the colour symbolises joy and vigour. Bright colours emphasize the expressiveness of Miao embroidery. Baby carrying belts are used by ethnic minorities to swaddle their babies. Miao women make these exquisite carrying belts as a direct demonstration of motherly love.&#13;
&#13;
（繁）背帶通體滿佈紅色刺繡，連綿不斷，小巧的紋樣排列十分有條理，雅緻井然。此背帶運用了數紗繡。黃平數紗繡圖案多以幾何紋為主，構圖對稱，做工精緻。苗族喜用紅色絲線刺繡，有喜氣、活力之寓意，鮮豔的色彩更凸顯了苗族刺繡的表現力。背帶是少數民族婦女背小孩時使用的用具，苗族會將背帶製作得很精美，這是母愛最直接的表現。</text>
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                <text>苗族 The Miao</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>民国 Republic of China</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/items/show/25"&gt;黄平苗族背带 Huangping The Miao Baby Carrying Belt (514#)&lt;/a&gt;</text>
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                <text>黔东南苗族侗族自治州黄平县 Qiandongnan Miao and Dong Autonomous Prefecture Huangping  County</text>
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                  <text>1. 蜡染 Dyeing</text>
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                <text>蜡染花片 Batik Fabric</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------batik"&gt;蜡染 Batik&lt;/a&gt;</text>
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                <text>（简）蜡染花片朴素简约，以交叠的圆形为主轴，在部分重叠处绘上似鱼的外观，造型别致。此花片运用了蜡染的制作技巧，並使用回收蜡制作。回收蜡即反复使用的蜡，因被植物染色故呈现深蓝色。蜡染即蜡画和染色，是延续千年的民间传统工艺。苗族的蜡染技艺高超，融入几何艺术之元素。风格独特。&#13;
&#13;
(ENG) Batik fabric: a unique and distinctive piece, with overlapping circles and some areas decorated with fish-like illustrations. The fabric is produced with recycled wax. Recycled wax is wax that has been repeatedly used and is dark blue due to plant dye. Batik is a traditional craft with a history of over one thousand years. It is a technique that involves beeswax and dyeing. Miao women use melted beeswax to draw patterns on self woven white cloth. The cloth is then soaked into a barrel of indigo dye several times before it is taken out, then boiled in a pot to remove the wax and rinsed in water to remove the excess dye. Different white patterns are revealed when the wax is rinsed off.&#13;
&#13;
（繁）蠟染花片樸素簡約，以交疊的圓形為主軸，在部分重疊處繪上似魚的外觀，造型別緻。此花片運用了蠟染的製作技巧，並使用回收蠟製作。回收蠟即反複使用的蠟，因被植物染色故呈現深藍色。蠟染即蠟畫和染色，是延續千年的民間傳統工藝。苗族的蠟染技藝高超，融入幾何藝術之元素。風格獨特。</text>
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                <text>现代 Modern</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔东南苗族侗族自治州丹寨县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Danzhai County</text>
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                  <text>1. 蜡染 Dyeing</text>
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                <text>蜡染百褶裙裙边 Batik Pleated Skirt Furbelow </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------batik"&gt;蜡染 Batik&lt;/a&gt;</text>
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                <text>（简）百褶裙的裙边蓝白相间，曲线直线交错，简洁清雅而又不失心思。制作百褶裙的蜡染底布一般长3-5米，此裙边运用了蜡染的制作技巧。蜡染即蜡画和染色，是延续千年的民间传统工艺。用蜡液在自织的白布上精心绘上图案，然后在蓝靛缸里浸染几次后捞出，放在锅里用开水煮去蜡质，再用水清洗浮色，即呈现出各种白色图案。 苗族的蜡染技艺精湛，手工细腻，清秀脱俗。&#13;
&#13;
(ENG) Batik pleated skirt with furbelow: a neat and elegant piece decorated with horizontally-arranged patterned strips of both curved and straight lines. The batik base cloth for making pleated skirts is usually 3 to 5 metres long. Batik is a traditional craft with a history of over one thousand years. It is a technique that involves beeswax and dyeing. Miao women use melted beeswax to draw patterns on self woven white cloth. The cloth is then soaked into a barrel of indigo dye several times before it is taken out, then boiled in a pot to remove the wax and rinsed in water to remove the excess dye. Different white patterns are revealed when the wax is rinsed off.&#13;
&#13;
（繁）百褶裙的裙邊藍白相間，曲線直線交錯，簡潔清雅而又不失心思。製作百褶裙的蠟染底布一般長3-5米，此裙邊運用了蠟染的製作技巧。蠟染即蠟畫和染色，是延續千年的民間傳統工藝。用蠟液在自織的白布上精心繪上圖案，然後在藍靛缸里浸染幾次後撈出，放在鍋裡用開水煮去蠟質，再用水清洗浮色，即呈現出各種白色圖案。 苗族的蠟染技藝精湛，手工細膩，清秀脫俗。&#13;
&#13;
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                  <text>1. 蜡染 Dyeing</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------coloured-batik"&gt;彩染 Colored Batik&lt;/a&gt;</text>
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                <text>（简）袖片的蜡染部分为深蓝色和淡红色，袖口颜色则不同缤纷夺目，用了红，黄，绿等色。此袖片运用了彩染的制作技巧，衣袖部分是蜡染装饰片。彩染，顾名思义彩色蜡染，制作时使用了除蓝外的其他植物染料多次封蜡染色。蜡染图纹十分紧密，制作耗时，手工精细。&#13;
&#13;
(ENG) Qianxi batik sleeves: dark blue and pale red batik. The cuffs are vibrantly coloured in red, green, yellow and other colours. Coloured batik technique is used. Coloured batik, as the name suggests, is different from regular batik as it uses various botanical colourings other than indigo blue. The tightly arranged batik patterns are time consuming to make and display exquisite craftsmanship. &#13;
&#13;
（繁）袖片的蠟染部分為深藍色和淡紅色，袖口顏色則不同繽紛奪目，用了紅，黃，綠等色。此袖片運用了彩染的製作技巧，衣袖部分是蠟染裝飾片。彩染，顧名思義彩色蠟染，製作時使用了除藍外的其他植物染料多次封蠟染色。蠟染圖紋十分緊密，製作耗時，手工精細。</text>
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                <text>上世纪50年代 Last century 50s</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州省毕节市黔西县 Guizhou Huajie Qianxi County</text>
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