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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;</text>
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                <text>（简）背带有大幅的红色刺绣，由大小一致的方块图案组成。此背带主要运用了数纱绣。背带是少数民族背嬰兒的布兜，在少数民族的服饰文化具有特殊意義，表达着母亲对孩子深深的爱。該件藏品的收藏价值甚高，大片拼接的刺绣十分罕见、工艺精细，且在岁月流逝中仍能保持颜色清晰，不可多得。&#13;
&#13;
(ENG) Baby Carrying Belt; decorated with large piece of embroidery composed of uniform squares. Baby carrying belt is a tool used by ethic minorities to swaddle their babies. They are usually produced with artisan techniques like batik, brocade and embroidery and are a crucial part of the Guizhou ethnic minority clothing culture. The production of each baby carrying belt is time-consuming and it represents the deep love and beautiful wishes a mother has for her children. This collection, with its large pieces of splice, clear colours and remarkably fine workmanship, is rare and has high colleciton value. &#13;
&#13;
（繁）背帶有大幅的紅色刺繡，由大小一致的方塊圖案組成。此背帶主要運用了數紗繡。背帶是少數民族背嬰兒的布兜，在少數民族的服飾文化具有特殊意義，表達著母親對孩子深深的愛。該件藏品的收藏價值甚高，大片拼接的刺繡十分罕見、工藝精細，且在歲月流逝中仍能保持顏色清晰，不可多得。</text>
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                <text>苗族 The Miao</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔东南苗族侗族自治州黄平县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Huangping County </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Flat stitch&lt;/a&gt;，石榴 Pomegranate，蝴蝶 Butterfly，脊宇鸟 Divine bird，荷花 Lotus flower</text>
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                <text>（简）背带的刺绣取材自大自然的万物，在红色方格里绣上鸟儿，蝴蝶，花果，有动有静，唯妙唯肖，与黑色底布形成强烈对比。此背带主要运用了平绣。背带是少数民族背小孩的工具，美观实用，每件背带的制作都相当耗时耗工，表达着母亲对孩子深深的爱和美好祝愿。 &#13;
&#13;
(ENG) Baby carrying belt: black base fabric with highly contrasted embroidered red squares taking inspiration from the natural world with birds, butterflies, flowers and fruit patterns. Flat stitch is used. Reflecting the Miao’s passionate love of and respect for the natural world, the belt is realistically decorated with various animals and plants, including flowers, fruits, butterflies and divine birds to create a sense of stillness as well as liveliness. Baby carrying belts are used by ethnic minorities to swaddle their babies and are a crucial part of ethnic minority clothing culture. They are usually produced with artisan techniques such as batik, brocade and embroidery. Each baby carrying belt is time consuming to make and is a beautiful display of the ways in which a mother expresses her deep love and hopes for her children. &#13;
&#13;
（繁）背帶的刺繡取材自大自然的萬物，在紅色方格里繡上鳥兒，蝴蝶，花果，有動有靜，唯妙唯肖，與黑色底布形成強烈對比。此背帶主要運用了平繡。背帶是少數民族背小孩的工具，美觀實用，每件背帶的製作都相當耗時耗工，表達著母親對孩子深深的愛和美好祝愿。</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔南布依族苗族自治州三都县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Sandu County </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------applique"&gt;剪贴绣 Applique&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;细数纱绣 Fine counted thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------crossing-stitch"&gt;细挑花 Fine crossing stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Flat stitch&lt;/a&gt;，蝴蝶纹 Butterfly pattern，花草纹 Flower and grass pattern，回纹 Circular-letter pattern，铜钱纹 Coin pattern</text>
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                <text>（简）背带主体为黑色，加上红色的刺绣部分，颜色对比鲜明。此背带运用了剪贴绣、细数纱绣、细挑花和平绣。多元化的制作技艺凸显制作者功力深厚，将不同技法融会贯通，制作出精巧的藏品。少数民族妇女背小孩时会使用背带，背带制作精美，是母爱最直接的表现。該件藏品的收藏价值甚高，图案装饰性很强，简单明快。&#13;
&#13;
(ENG) Baby carrying belt: mainly black with highly contrasting red embroidery.  Appliqué, fine counted thread stitch, fine crossing stitch and flat stitch are used. The exemplary use of diversified techniques in the belt highlights the profound skills of its creator. Baby carrying belts are used by ethnic minorities to swaddle their babies and represent the deep love and hopes that a mother has for her children. This belt, with its large pieces of splice, clear colours and remarkably fine workmanship, is rare and highly collectible. &#13;
&#13;
（繁）背帶主體為黑色，佐以紅色的刺繡部分，中心的蝴蝶圖紋搶眼奪目。此背帶運用了剪貼繡、細數紗繡、細挑花和平繡。多元化的製作技藝凸顯製作者功力深厚，將不同技法融會貫通，製作出精巧的藏品。少數民族婦女背小孩時會使用背帶，背帶製作精美，是母愛最直接的表現。該件藏品的收藏價值甚高，圖案裝飾性很強，簡單明快。</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>黎平县水口镇 Liping County Shuikou Town</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------couched-braid-stitch"&gt;辫绣 Couched braid stitch&lt;/a&gt;，蝴蝶纹 Butterfly pattern，连草纹 Grass pattern，几何纹 Geometric pattern</text>
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                <text>（简）背带的刺绣部分主要了采用红色和卡其色丝线，中心的大幅刺绣则用了更多色彩，如黄、绿、棕、紫红色等等，活泼明亮。此背带运用了剪贴绣、辫绣、彩锦、数纱绣和挑花。根据《枫木歌》，蝴蝶纹代表苗族祖先，可见制作者，表达了对祖先的崇敬与缅怀。背带是少数民族背小孩的工具，每件背带的制作都相当耗时耗工，表达着母亲对孩子深深的爱和美好祝愿。&#13;
&#13;
(ENG) Baby carrying belt: with red and khaki silk threads. The central large embroidered piece is vibrantly and sharply combined with even more colours such as yellow, green, brown and purplish red. Applique, couched braid stitch, coloured brocade, counted thread stitch and crossing stitch are used. According to Maple Song, butterfly patterns symbolize the Miao’s ancestors and their veneration of the dead.  Baby carrying belts are used by ethnic minorities to swaddle their babies and are a crucial part of the Guizhou ethnic minority clothing culture. They are usually produced with artisan techniques such as batik, brocade and embroidery.  Each baby carrying belt is time consuming and laborious to make and is a beautiful display of a mother’s deep love and future hopes for her child. &#13;
&#13;
（繁）背帶的刺繡部分主要了採用紅色和卡其色絲線，中心的大幅刺繡則用了更多色彩，如黃、綠、棕、紫紅色等等，活潑明亮。此背帶運用了剪貼繡、辮繡、彩錦、數紗繡和挑花。根據《楓木歌》，蝴蝶紋代表苗族祖先，可見製作者，表達了對祖先的崇敬與緬懷。背帶是少數民族背小孩的工具，每件背帶的製作都相當耗時耗工，表達著母親對孩子深深的愛和美好祝愿。</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>（简）围腰两侧的深蓝色，衬托了中间鲜艳的红色刺绣部分。此围腰运用了平绣。苗族刺绣喜绣大自然的万物，喜将动植物进行组合，所以可以看到这副刺绣中蝴蝶的翅膀是兩片展开的树叶，或是将小动物的身体绣成一朵花，或是蝴蝶的身体绣出了一张人脸，甚至有的还绣出了小动物的内脏。围腰上绣的动物千姿百态，灵动，可爱，丝线色彩大胆而热烈。 &#13;
&#13;
(ENG) Belly band: flat stitch with a central bright red embroidery, rounded off with deep blue flanks. The Miao combined intricate stitching patterns to represent animals and plants from their natural environment. In this belly band, unfolded leaves are stitched as embroidered butterfly wings, and a human face is stitched on its body. Animal bodies are woven as flowers, and even the organs of the animals are stitched. A diversity of spirited and cute animals are stitched in vibrant and bold colours.&#13;
&#13;
（繁）圍腰兩側的深藍色，襯託了中間鮮豔的紅色刺繡部分。此圍腰運用了平繡。苗族刺繡喜繡大自然的萬物，喜將動植物進行組合，所以可以看到這副刺繡中蝴蝶的翅膀是兩片展開的樹葉，或是將小動物的身體繡成一朵花，或是蝴蝶的身體繡出了一張人臉，甚至有的還繡出了小動物的內臟。圍腰上繡的動物千姿百態，靈動，可愛，絲線色彩大膽而熱烈。 </text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>（简）背带的刺绣呈几何形状，以蝴蝶纹为中心，脊宇鸟纹对称分布在左右侧。此背带运用了数纱绣。刺绣的技艺十分精巧别致，图案灵动可爱，突显苗族人民对大自然的热爱和对生命的崇敬。背带是少数民族妇女背小孩时使用的用具，苗族会将背带制作得很精美，这是母爱最直接的表现。 &#13;
&#13;
(ENG) Baby carrying belt: decorated with geometrical patterns with butterfly pattern at the centre and divine bird patterns symmetrically distributed on the left and right flanks. Counted thread stitch is used. Embroidery techniques used on this belt are intricate, the patterns are lively and reflect the Miao’s love of nature and their respectful attitude to life. Miao women make these exquisite carrying belts as a direct demonstration of motherly love.&#13;
&#13;
（繁）背帶的刺繡呈幾何形狀，以蝴蝶紋為中心，脊宇鳥紋對稱分佈在左右側。此背帶運用了數紗繡。刺繡的技藝十分精巧別緻，圖案靈動可愛，突顯苗族人民對大自然的熱愛和對生命的崇敬。背帶是少數民族婦女背小孩時使用的用具，苗族會將背帶製作得很精美，這是母愛最直接的表現。 </text>
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                <text>（简）苗衣主要呈暗紅色，領口和袖口位置以刺绣裝飾。刺绣颜色通体采用暗绿色制作，穩重沉實，为较为年长妇女所穿戴。此苗衣運用了打籽绣和叠绣。打籽绣是一種將繩打結以呈現圖案立體感的手法。叠绣，又稱堆绣，是将上过浆的轻薄丝绫面料裁剪折叠成细三角形，堆叠于底布之上，边堆边用针线固定，组合成矩形的饰片。 &#13;
&#13;
(ENG) Miao coat: predominantly dark red with collars and cuffs decorated in dark green embroideries. Due to its modest and mature styling, it is worn by older women. Knot stitch and stack stitch are used.  Knot stitch is a technique of knotting threads to present patterns in a three-dimensional manner. Firstly, silk threads are used to outline the pattern. Then, knot stitch techniques are used to fill in the pattern. When stitching, the needle should be pierced from the back of the fabric to the front.  The tip of the needle should be looped twice at the end of the silk thread to make small granular circles, which are then used to form knots. This process is repeated until the many small knots densely fill the entire pattern. Stack stitch, also referred to as piling stitch, uses light silk fabric that has been soaked in honey locust liquid and then cut and folded   into small triangular shapes. These small pieces are then stacked on top of the base cloth, the sides sewn with needle and thread to form embroidery lines and rectangular decorations.&#13;
&#13;
（繁）苗衣主要呈暗紅色，領口和袖口位置以刺繡裝飾。刺繡顏色通體採用暗綠色製作，穩重沉實，為較為年長婦女所穿戴。此苗衣運用了打籽繡和疊繡。打籽繡是一種將繩打結以呈現圖案立體感的手法。疊繡，又稱堆繡，是將上過漿的輕薄絲綾面料裁剪折疊成細三角形，堆疊於底布之上，邊堆邊用針線固定，組合成矩形的飾片。 </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------applique"&gt;剪贴绣 Applique&lt;/a&gt;，云气纹 Cloud pattern，抽象蝴蝶纹 Abstract butterfly pattern，抽象脊宇鸟纹 Abstract divine bird pattern</text>
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                <text>（简）背带用色大胆，使用了宝蓝色、草绿色、浅紫色等颜色，更绣有反光饰片，十分精巧夺目。背带的刺绣图案抽象，用色也有异于常用的红黑两色，与一般背带迥然不同。此背带运用了剪贴绣。背带在贵州少数民族服饰文化中十分重要，是少数民族背小孩的工具。每件背带的制作都相当耗时耗工，表达着母亲对孩子深深的爱和美好祝愿。&#13;
&#13;
(ENG) Baby carrying belt: appliqué with stunning royal blue, lawn green and lilac, decorated with sequins. Abstract and unique embroidery patterns and bold colour choices differ from the commonly used black and red found in other baby carrying belts.  Baby carrying belts are used by Guizhou ethnic minorities to swaddle their babies and they are a crucial part of their clothing culture. Creating each baby carrying belt is time-consuming and laborious, and women make these exquisite carrying belts as a direct demonstration of motherly love.&#13;
&#13;
（繁）背帶用色大膽，使用了寶藍色、草綠色、淺紫色等顏色，更繡有反光飾片，十分精巧奪目。背帶的刺繡圖案抽象，用色也有異於常用的紅黑兩色，與一般背帶迥然不同。此背帶運用了剪貼繡。背帶在貴州少數民族服飾文化中十分重要，是少數民族背小孩的工具。每件背帶的製作都相當耗時耗工，表達著母親對孩子深深的愛和美好祝願。 </text>
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                <text>黔东南苗族侗族自治州黎平县 Qiandongnan Miao and Dong Autonomous Prefecture Liping County </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------knot-stitch"&gt;打籽绣 Knot stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，脊宇鸟纹 Divine bird pattern，莲花纹 Water-lily pattern，漩涡纹 Spiral pattern，变形蝴蝶纹与花纹的组合 Combination of deformed butterfly and flower pattern</text>
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                <text>（简）背带构图饱满鲜明，排列有序又具有对称性，色彩非常艳丽。此背带运用了打籽绣和叠绣。刺绣的主心图案为脊宇鸟纹与花纹，花纹枝繁叶茂，脊宇鸟纹灵动而华丽。类似石榴籽的打籽绣填满整个刺绣图案，打籽细小圆润，饱满紧实。该件藏品的收藏价值甚高，年代久远，保存完整，工艺精湛绝伦，是同时期的顶级工艺，也是现在手艺人所无法企及的绝高手艺。 &#13;
&#13;
(ENG) Miao baby carrying belt: neat and symmetrically arranged patterns in bright and vibrant colours give this item a rich and distinctive appearance. Knot stitch and stack stitch are used. The featured pattern is that of a divine bird, decorated with luxuriant flower embroideries. The divine bird pattern is vivid and glamorous. The knots, which resemble pomegranate seeds, are small, compact and delicate and fill the entire embroidered pattern. This baby carrying belt is well preserved and is extremely valuable. The outstanding craftsmanship of the belt reveals its creator as a true master artisan. &#13;
&#13;
（繁）背帶構圖飽滿鮮明，排列有序又具有對稱性，色彩非常艷麗。此背帶運用了打籽繡和疊繡。刺繡的主心圖案為脊宇鳥紋與花紋，花紋枝繁葉茂，脊宇鳥紋靈動而華麗。類似石榴籽的打籽繡填滿整個刺繡圖案，打籽細小圓潤，飽滿緊實。該件藏品的收藏價值甚高，年代久遠，保存完整，工藝精湛絕倫，是同時期的頂級工藝，也是現在手藝人所無法企及的絕高手藝。 </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------split-thread-stich"&gt;破线绣 Split-thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------double-thread-chain-"&gt;双针锁绣 Double-thread chain stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------weaving-stitch"&gt;织带 Weaving stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;堆叠绣 Stack stitch and folded cloth piecework&lt;/a&gt;，蝴蝶妈妈 Butterfly mother，脊宇鸟妈妈 Divine bird mother，山猫 Lynx，老鼠 Rat，水纹 Water pattern，螃蟹 Crab，鱼 Fish，马 Hourse，鸭子及其他小动物图案 Duck and other small animals</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="336">
                <text>（简）绣衣的刺绣集中在肩部和衣袖，红色绣纹配以黑色底布，十分鲜明夺目，吉祥活泼。此绣衣运用了破线绣、双针锁绣、织带和堆叠绣。刺绣的图案多为动物，有蝴蝶、脊宇鸟、山猫等等，动物形态生动，图案丰富多变。制作者将动物绣上衣服，除了可见其高超的观察力和刺绣技艺，亦反映了苗族对大自然的热爱，以及对生命的崇敬。 &#13;
&#13;
(ENG) Miao embroidered clothes: split-thread stitch, double-thread chain stitch, weaving stitch, stack stitch and folded cloth piecework are used. Black fabric with red embroidery concentrated at the shoulder and sleeve. The colour red is visually stunning and conveys a sense of liveliness and good luck. Embroidery patterns are mostly of realistically depicted animals, including butterflies, divine birds and lynx. Embroidering animals showcases superb observation and embroidery skills and reflects the Miao’s love of nature and reverence for life.&#13;
&#13;
（繁）繡衣的刺繡集中在肩部和衣袖，紅色繡紋配以黑色底布，十分鮮明奪目，吉祥活潑。此繡衣運用了破線繡、雙針鎖繡、織帶和堆疊繡。刺繡的圖案多為動物，有蝴蝶、脊宇鳥、山貓等等，動物形態生動，圖案豐富多變。製作者將動物繡上衣服，除了可見其高超的觀察力和刺繡技藝，亦反映了苗族對大自然的熱愛，以及對生命的崇敬。 </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="337">
                <text>苗族 The Miao</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="338">
                <text>民国 Republic of China</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="339">
                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="340">
                <text>#1429</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="341">
                <text>台江县施洞镇 Taijiang County Shidong Town</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
