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                  <text>2. 织锦 Weaving</text>
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                <text>布依族织锦片 The Bouyei Tapestry</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/-------coloured-brocade"&gt;彩锦 Coloured brocade&lt;/a&gt;，菱形纹 Rhombic pattern，几何纹 Geometric pattern</text>
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                <text>（简）织锦片浅黄色和青蓝色相间，采用了较低调的对比色，为藏品增添色彩同时亦令其更为朴实耐看。此织锦片运用了彩锦。织锦图案是一样大小的方形整齐排列，构图对称工整。方形的中间亦饰有几何图纹，做工精巧细致，留白得恰的好处，可见制作者的审美观和高超技艺。&#13;
&#13;
(ENG) Tapestry: alternating colours of light yellow and cyan. The modest complementary colours render the tapestry simple yet also highly pleasing to the eye. Colour brocade is used. Patterns of the tapestry are formed by a regular arrangement of identical squares, leading to a symmetrically neat composition. Geometric patterns are decorated at the centre of each square and the workmanship is intricate and detailed. Intentionally left blank spaces are aesthetically pleasing and reveal the high artistry of the tapestry’s creator. &#13;
&#13;
（繁）織錦片淺黃色和青藍色相間，採用了較低調的對比色，為藏品增添色彩同時亦令其更為樸實耐看。此織錦片運用了彩錦。織錦圖案是一樣大小的方形整齊排列，構圖對稱工整。方形的中間亦飾有幾何圖紋，做工精巧細緻，留白得恰的好處，可見製作者的審美觀和高超技藝。 </text>
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                <text>布依族 The Bouyei</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>#1250</text>
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                <text>贵州黔南布依族苗族自治州荔波县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Libo County</text>
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                  <text>3. 刺绣 Embroidery</text>
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                <text>布依族背带 The Bouyei Baby Carrying Belt</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Flat stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------applique"&gt;剪贴绣 Applique&lt;/a&gt;，花鸟纹 Flower and bird pattern，花卉纹 Flower pattern，麒麟纹 Kylin pattern，勾云纹 Chinese cloud pattern</text>
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                <text>（简）背带以正红色为主色调，中心的菱形绣满了花草纹。此背带运用了平绣和剪贴绣。背带的花纹运用甚具特色，以云纹勾勒出鸟和麒麟的图案，非常生动，极富想象力。背带是少数民族妇女背小孩时使用的用具，制作者会将背带制作得很精美，这是母爱最直接的表现。 &#13;
&#13;
(ENG) Baby carrying belt: predominantly red, with a central rhombus covered with a flower and grass pattern. Flat stitch and appliqué are used. Highly distinctive Chinese cloud patterns are used to outline realistic bird and kylin shapes. Baby carrying belts are a crucial part of ethnic minority clothing culture, and are beautiful displays of the ways in which mothers express their deep love and hopes for their children. &#13;
&#13;
（繁）背帶以正紅色為主色調，中心的菱形繡滿了花草紋。此背帶運用了平繡和剪貼繡。背帶的花紋運用甚具特色，以雲紋勾勒出鳥和麒麟的圖案，非常生動，極富想像力。背帶是少數民族婦女背小孩時使用的用具，製作者會將背帶製作得很精美，這是母愛最直接的表現。 </text>
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                <text>布依族 The Bouyei</text>
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                <text>上世纪50年代 Last century 50s</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>#869</text>
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                <text>黔南布依族苗族自治州荔波县 Qiandongnan Miao and Dong Autonomous Prefecture Libo County </text>
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                  <text>3. 刺绣 Embroidery</text>
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                <text>布依族贯首服 The Bouyei Robe</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------crossing-stitch"&gt;挑花 Crossing stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，井字纹 Oxford pattern，冰花纹 Ice flake pattern，几何蝴蝶纹 Geometric butterfly pattern，曲折纹 Zigzag pattern</text>
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                <text>（简）贯首衣只用了黑白灰的颜色，对称的刺绣部分细致繁复，简约而不简单。此贯首衣运用了挑花和数纱绣。最早有关贯首衣的记载在&lt;旧唐书南平僚传&gt;中有记载，妇女横布两幅，穿中而贯其首。这种衣服款式苗族，壮族，布依族常见，将衣服裁剪为几何形，是因面料珍贵，布幅宽度限制，尽量减少因裁剪而造成的布料浪费，是民间妇女「物尽其用」的智慧体现。 &#13;
&#13;
(ENG) The Bouyei robe: black, grey and white fabric. Crossing stitch and counted thread stitch are used. The symmetrical embroidery is fine and ornate. The earliest documentation of the Bouyei robe can be found in the Old Book of Tang Nanping Rau Biography, which states that “women take out two long [pieces of] cloth, stitch them together and wear them by pulling them over their heads”. The Miao, the Zhuang and the Bouyei all used this style of clothing. The fabric used is expensive and precious, and clothes are cut by women into geometric patterns to maximise every portion of the fabric and minimise waste, demonstrating folk wisdom. &#13;
&#13;
（繁）貫首衣只用了黑白灰的顏色，對稱的刺繡部分細緻繁複，簡約而不簡單。此貫首衣運用了挑花和數紗繡。最早有關貫首衣的記載在&lt;舊唐書南平僚傳&gt;中有記載，婦女橫布兩幅，穿中而貫其首。這種衣服款式苗族，壯族，布依族常見，將衣服裁剪為幾何形，是因面料珍貴，布幅寬度限制，盡量減少因裁剪而造成的布料浪費，是民間婦女「物盡其用」的智慧體現。 </text>
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                <text>上世纪50年代 Last century 50s</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵阳市乌当区 Guiyang Wudang District</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------split-thread-stich"&gt;破线绣 Split-thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------double-thread-chain-"&gt;双针锁绣 Double-thread chain stitch&lt;/a&gt;，朝廷官吏人物图案 Court officials figure pattern，龙纹 Dragon pattern，鱼纹 Fish pattern，彩锦部分是抽象的蝴蝶纹 Abstract butterfly pattern on coloured batik，脊宇鸟纹 Divine bird pattern，万福图案 Wanfu pattern</text>
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                <text>（简）绣苗衣的领子、肩部和袖子都绣有大幅的红色刺绣，在黑色底布的衬托下为风飒飒。此绣苗衣运用了破线绣、叠绣、数纱绣和双针锁绣。刺绣部分为叙事性图案，以针线描绘了英雄人物形象——「雾帽席」手举令旗和大刀，骑在战马上英勇杀敌的场面。制作者用破线绣技法刺绣出了庞大的战争场面，彩锦及叠绣部分的图案亦极其工整、细腻。该件藏品的收藏价值甚高，是施洞地区刺绣大图案的代表作。大图饱满，内容丰富，把本民族的服饰文化体现的淋漓尽致，是为同时期顶级工艺。&#13;
&#13;
(ENG) Shidong embroidered Miao coat: black base cloth with large red embroideries on the collar and shoulder areas and sleeves, giving a rustic touch to this exquisite piece. Split-thread stitch, stack stitch, counted thread stitch, double thread chain stitch and coloured brocade are used. The patterns depict the story of a hero valiantly fighting against enemies on horseback with broadswords and flags. This coat is made using split thread stitch to embroider the epic war scene and is one of the masterpieces of large pattern embroidery in the Shidong region. The rich detail, extremely neat and delicate coloured brocade and stack stitch beautifully embody the coat culture of the region. A highly collectable piece, this coat showcases the very best craftsmanship of its time.  &#13;
&#13;
（繁）繡苗衣的領子、肩部和袖子都繡有大幅的紅色刺繡，在黑色底布的襯托下為風颯颯。此繡苗衣運用了破線繡、疊繡、數紗繡、雙針鎖繡和彩錦。刺繡部分為敘事性圖案，以針線描繪了英雄人物形象——「霧帽席」手舉令旗和大刀，騎在戰馬上英勇殺敵的場面。製作者用破線繡技法刺繡出了龐大的戰爭場面，彩錦及疊繡部分的圖案亦極其工整、細膩。該件藏品的收藏價值甚高，是施洞地區刺繡大圖案的代表作。大圖飽滿，內容豐富，把本民族的服飾文化體現的淋漓盡致，是為同時期頂級工藝。</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔东南苗族侗族自治州台江县施洞镇 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Taijiang County Shidong Town</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------split-thread-stich"&gt;破线绣 Split-thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------double-thread-chain-"&gt;双针锁绣Double-thread chain stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，鱼纹 Fish pattern，脊宇鸟纹 Divine bird pattern，牛 Cow，水纹，花 Flower，人物 Human figures</text>
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                <text>（简）施洞地区绣苗衣，刺绣喜用红色。此老苗衣运用了破线绣、双针锁绣和叠绣。破线绣，双针锁绣是该地区刺绣工艺的代表，而领部多采用叠绣工艺，底布多采用牛皮布。施洞地区图案多采用动物，如牛、鱼、龙、蝴蝶、脊宇鸟等，人物多代表他们族群的首领或英雄。刺繡上的牛描繪了內臟的部分，是最原始的透視表現。该件藏品的收藏价值甚高，除了极高的工艺价值，年代久远亦令藏品具极高的历史收藏价值。&#13;
&#13;
(ENG) Miao coat: embroidered in the Shidong area, and red is preferred for embroidery. Split-thread stitch, double-thread chain stitch and stack stitch are used. Split-thread stitch and double-thread chain stitch are the representatives of the embroidery in this region. The collar is made of stack stitch, and the base fabric is made of cowhide. The patterns in the Shidong area are mostly animals, such as cows, fishes, dragons, butterflies, divine birds. The figures represent the leaders or heroes of their ethnic groups. The embroidered cow uniquely depicts a translucent view of the cow’s internal organs. The exquisite craftsmanship of this coat makes it a highly valued part of the collection. &#13;
&#13;
（繁）施洞地區繡苗衣，刺繡喜用紅色。此老苗衣運用了破線繡、雙針鎖繡和疊繡。破線繡，雙針鎖繡是該地區刺繡工藝的代表，而領部多采用疊繡工藝，底布多采用牛皮布。施洞地區圖案多采用動物，如牛、魚、龍、蝴蝶、脊宇鳥等，人物多代表他們族群的首領或英雄。刺繡上的牛描繪了內臟的部分，是最原始的透視表現。該件藏品的收藏價值甚高，除了極高的工藝價值，年代久遠亦令藏品具極高的歷史收藏價值。</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔东南苗族侗族自治州台江县施洞镇 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Taijiang County Shidong Town</text>
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                <text>（简）梭嘎苗衣，款式修身窄袖，后摆延长似燕尾。苗衣主要为蓝绿色调，蜡染的图纹集中在领子、肩部和袖子，整体较为朴素简约，典雅大方。此苗衣运用了彩染和刺绣。蜡染即蜡画和染色，是延续千年的民间传统工艺。用蜡液在自织的白布上精心绘上图案，然后在蓝靛缸里浸染几次后捞出，放在锅里用开水煮去蜡质，再用水清洗浮色，即呈现出各种白色图案。蜡染的工艺十分费工费时，精致图案凸显制作者十分用心，把代代相传的传统工艺发扬光大。 &#13;
&#13;
(ENG) Suojia Miao Coat: slim-fit design and narrow sleeves, with the extended back hem like a dovetail. The Miao coat is predominantly in blue-green colours, with patterns concentrate at the collar, shoulder and sleeves. Coloured batik and embroidery are used. Batik refers to the process of beeswax drawing and dyeing and is a traditional craft that has been in existence for over a thousand years. Firstly, wax is used to draw intricate patterns on self-weaved white cloth. The cloth is then immersed several times into a barrel of indigo blue dye and taken out, boiled to remove excess wax, and washed with water to reveal diverse white patterns. Creating batik is time consuming, labour intensive and takes great skill. The art of batik has been passed down through many generations. &#13;
&#13;
（繁）梭嘎苗衣，款式修身窄袖，后摆延长似燕尾。苗衣主要為藍綠色調，蠟染的圖紋集中在領子、肩部和袖子，整體較為樸素簡約，典雅大方。此苗衣運用了彩染和刺繡。蠟染即蠟畫和染色，是延續千年的民間傳統工藝。用蠟液在自織的白布上精心繪上圖案，然後在藍靛缸里浸染幾次後撈出，放在鍋裡用開水煮去蠟質，再用水清洗浮色，即呈現出各種白色圖案。蠟染的工藝十分費工費時，精緻圖案凸顯製作者十分用心，把代代相傳的傳統工藝發揚光大。 </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------horsetail-stitch"&gt;马尾绣 Horsetail Stitch&lt;/a&gt;，蝴蝶花 Butterfly flower，太阳花 Sunflower，石榴 Pomegranate，锦鸡 Pheasant，寿字纹 Shou pattern</text>
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                <text>（简）背带的刺绣构图紧密，排列对称，做工十分精细。此背带运用了马尾绣。水族人称马尾绣为「歹结」，取马的尾巴并缠上白色丝线，做成特殊绣线。勾勒出刺绣图案的轮廓后，再在其图案里采用平绣、辫绣、挑花、跳针、乱针等刺绣技法进行图案的填充和美化。每件背带的制作都相当耗时耗工，蝴蝶与石榴图案的组合寓意多子多福，福寿连绵，代表着长辈对刚出生的新生命美好的祝福和祈愿。&#13;
&#13;
(ENG) Sui horsetail stitch baby carrying belt: densely packed embroidery in an orderly and symmetrical fashion, showing exceptional workmanship. Horsetail stitch is used. Known by the Sui as the ‘evil knot’, horsehair from a horse’s tail is entangled with white threads to create a special embroidery thread. This thread is used to outline the embroidery pattern, and then the centre is filled and decorated with beautiful patterns using other embroidery techniques such as flat stitch, couched braid stitch, crossing stitch, slip stitch and disorder stitch. The creation of each baby carrying belt is extremely time consuming and laborious. Each belt symbolises fecundity, auspiciousness and longevity. The butterfly and pomegranate patterns symbolise fecundity, auspiciousness and longevity and is an expression of the hopes and wishes of the older generation for the next generation.&#13;
&#13;
（繁）背帶的刺繡構圖緊密，排列對稱，做工十分精細。此背帶運用了馬尾繡。水族人稱馬尾繡為「歹結」，取馬的尾巴並纏上白色絲線，做成特殊繡線。勾勒出刺繡圖案的輪廓後，再在其圖案裡採用平繡、辮繡、挑花、跳針、亂針等刺繡技法進行圖案的填充和美化。每件背帶的製作都相當耗時耗工，蝴蝶與石榴圖案的組合寓意多子多福，福壽連綿，代表著長輩對剛出生的新生命美好的祝福和祈願。</text>
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                <text>水族 The Sui</text>
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                <text>民国 Republic of China</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔南布依族苗族自治州三都水族自治县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Sandu Shui Autonomous County</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Plain stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，各式蝴蝶纹 Butterfly pattern，团花纹 &lt;span&gt;Roundish floret pattern&lt;/span&gt;，勾云纹Chinese cloud pattern，曲折纹 Zigzag pattern</text>
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                <text>（简）背带的上侧和中心部分饰有红色刺绣，与黑色底布形成鲜明的颜色对比。此背带运用了平绣和叠绣。团花纹的蝴蝶纹对称分布，构图细致。蝴蝶纹的刺绣十分仔细，包括触角、身体和带花纹的翅膀，造型栩栩如生，凸显她们对生命高超的观察力，以及对大自然的热爱。背带是少数民族妇女背小孩时使用的用具，苗族会将背带制作得很精美，这是母爱最直接的表现。&#13;
&#13;
(ENG) Baby carrying belt: mainly black with red embroidery to produce a stark colour contrast. Flat stitch and stack stitch are used. Various butterfly patterns are symmetrically distributed at the centre. Embroidered butterflies are meticulously and realistically detailed, with antennas, bodies and wings with patterns. Such attention to detail and realism reveals the superior observation skills of the Miao women, and demonstrates their love of and passion for the natural world. Baby carrying belts are used by ethnic minorities to swaddle their babies. Each baby carrying belt is time consuming and laborious to make and is a beautiful expression of a mother’s deep love and future hopes for her child. &#13;
&#13;
（繁）背帶的上側和中心部分飾有紅色刺繡，與黑色底布形成鮮明的顏色對比。此背帶運用了平繡和疊繡。團花紋的蝴蝶紋對稱分佈，構圖細緻。蝴蝶紋的刺繡十分仔細，包括觸角、身體和帶花紋的翅膀，造型栩栩如生，凸顯她們對生命高超的觀察力，以及對大自然的熱愛。背帶是少數民族婦女背小孩時使用的用具，苗族會將背帶製作得很精美，這是母愛最直接的表現。</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>丹寨县复兴乡 Danzhai County Fuxing Town</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------patchwork-stitch"&gt;拼贴绣 Patchwork stitch&lt;/a&gt;，大菱形图案 Rhombic pattern，勾云纹 Chinese cloud pattern，抽象蝴蝶纹 Abstract butterfly pattern</text>
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                <text>（简）背带中心绣有红色的大菱形图案，将勾云纹和抽象蝴蝶纹分饰内外。上方的贴布和外围的绣线也呼应红色和金色的配色，与黑色底色对比鲜明。此背带使用了拼贴绣。图案分布均匀有致，美观精巧。精美的刺绣不仅体现了当时制作者超高的技艺，也反映出她们丰富的想象力和对生活的热爱。 &#13;
&#13;
(ENG) Baby carrying belt: black with a large rhombus-shaped red pattern stitched on the centre back. Both the inside and outside of the rhombus are decorated with Chinese cloud and butterfly-like patterns. The appliqué in the top area and the embroidery threads of the surrounding periphery are consistent with the red and gold colour theme, which beautifully contrasts with the black base of the carrying belt. Patchwork stitch is used and the patterns are evenly distributed, intricate and beautiful. The exquisite embroidery embodies the masterful craftsmanship of its creators, and also reflects a rich imagination and passion towards life.  &#13;
&#13;
（繁）背帶中心繡有紅色的大菱形圖案，將勾雲紋和抽象蝴蝶紋分飾內外。上方的貼佈和外圍的繡線也呼應紅色和金色的配色，與黑色底色對比鮮明。此背帶使用了拼貼繡。圖案分佈均勻有致，美觀精巧。精美的刺繡不僅體現了當時製作者超高的技藝，也反映出她們豐富的想像力和對生活的熱愛。 </text>
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            <elementTextContainer>
              <elementText elementTextId="302">
                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Flat stitch&lt;/a&gt;，蝴蝶纹 Butterfly pattern，脊宇鸟纹 Divine bird pattern，回纹 Circular-letter pattern</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="303">
                <text>（简）背带在黑色底布上绣有大面积的蝴蝶纹和脊宇鸟纹，这两个图案皆常见于苗族刺绣、蜡染和织锦，表达了对祖先的崇敬与缅怀。此背带运用了平绣。在苗族的传说中，蝴蝶和脊宇鸟是生育和哺育自己的祖先。《枫木歌》描述道：从树心里生出「妹榜妹留」，妹榜妹留指的就是蝴蝶。蝴蝶逐渐长大，生下十二个蛋，由脊宇鸟抱了16年，孵出了雷公、水龙、老虎、水牛、蜈蚣、老蛇和苗族的祖先——姜央。&#13;
&#13;
(ENG) Baby carrying belt: flat stitch with a large area of embroidered butterfly and divine bird patterns. Butterfly and divine bird patterns are frequently found in Miao embroidery, batik and brocade and are implicated with veneration of the dead. According to the myths of the Miao, butterflies and divine birds are the ancestors who gave birth to and nursed the Miao. As described in the Maple Song: Mais Bangx Mais Lief (Mother butterfly) is born from the pith of the tree. Mais Bangx Mais Lief refers to a butterfly which gradually grew and gave birth to twelve eggs. The twelve eggs were then incubated by the divine bird for 16 years. The gods of thunder, water dragon, tiger, buffalo, centipede, the old serpent and ancestors of the Miao- Jangx Vangb hatched from the eggs.&#13;
&#13;
（繁）背帶在黑色底布上繡有大面積的蝴蝶紋和脊宇鳥紋，這兩個圖案皆常見於苗族刺繡、蠟染和織錦，表達了對祖先的崇敬與緬懷。此背帶運用了平繡。在苗族的傳說中，蝴蝶和脊宇鳥是生育和哺育自己的祖先。《楓木歌》描述道：從樹心裡生出「妹榜妹留」，妹榜妹留指的就是蝴蝶。蝴蝶逐漸長大，生下十二個蛋，由脊宇鳥抱了16年，孵出了雷公、水龍、老虎、水牛、蜈蚣、老蛇和苗族的祖先——姜央。</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="304">
                <text>苗族-白领苗 The Miao - Bailing Miao</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="305">
                <text>上世纪50年代 Last century 50s</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="306">
                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
            <elementTextContainer>
              <elementText elementTextId="307">
                <text>#910</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
            <elementTextContainer>
              <elementText elementTextId="308">
                <text>丹寨县复兴乡 Danzhai County Fuxing Town</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
