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                  <text>3. 刺绣 Embroidery</text>
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                <text>雷山苗衣 Leishan Miao Coat</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------wrinkling-stitch"&gt;皱绣 Wrinkling stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------couched-braid-stitch"&gt;辫绣 Couched braid stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，九翅飞龙 Nine-winged dragon，蝴蝶妈妈 Butterfly pattern，鱼纹 Fish pattern，斜山字纹 Oblique strips pattern，莲花纹 Water-lily pattern，荷花纹 Lotus pattern</text>
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                <text>（简）苗衣采用了传统古法布料——小斗纹布，在领口、肩部和衣袖绣有图案。此苗衣运用了皱绣、辫绣和叠绣。斜山字纹也是古代回纹的一种表相，常作为雷山地区苗族绣花衣衣襟部分的主要图案出现，图案回环反复，连绵不断，代表着富贵长久之意。皱绣先取7-8-9颗丝线编制为一种特殊绣线，这种绣线宽而扁平，形同女孩子的发辫。将辫线折叠并固定，便形成一种立体并厚实的特殊绣线，再用绣线盘出各种图案，让刺绣与底布之间形成凹凸感，制造恍如浅浮雕的视觉效果。该件藏品的收藏价值甚高，构图饱满，图案罕见，做工非常精细。&#13;
&#13;
(ENG) Leishan Miao coat: traditional fabric with a unique criss-cross pattern. Embroidery is stitched on the collar, shoulder area and the sleeves. Wrinkling stitch, couched braid stitch and slack stitch are used. Tilted shan pattern, which is also a type of circular letter pattern, is commonly used by the Miao in the Leishan region as the main placket pattern on their embroidered clothes. These patterns are continuous and repetitive to symbolize longevity and prosperity. For the wrinkling stitch, 7 to 9 silk threads are taken and woven into a special embroidery thread. This thread is broad and flat, akin to a girl’s long ponytail. The thread is folded in half and fixed with a silk thread through the middle. This creates a three dimensional thick thread which can be used to embroider different patterns onto the fabric. The embroidery stitched with this thread stands out against the flat garment, producing a bas-relief effect. With its exquisite craftsmanship, a rare pattern and rich composition this piece is highly collectable.&#13;
&#13;
（繁）苗衣採用了傳統古法布料——小鬥紋布，在領口、肩部和衣袖繡有圖案。此苗衣運用了皺繡、辮繡和疊繡。斜山字紋也是古代迴紋的一種表相，常作為雷山地區苗族繡花衣衣襟部分的主要圖案出現，圖案回環反复，連綿不斷，代表著富貴長久之意。皺繡先取7-8-9顆絲線編制為一種特殊繡線，這種繡線寬而扁平，形同女孩子的髮辮。將辮線折疊並固定，便形成一種立體並厚實的特殊繡線，再用繡線盤出各種圖案，讓刺繡與底布之間形成凹凸感，製造恍如淺浮雕的視覺效果。該件藏品的收藏價值甚高，構圖飽滿，圖案罕見，做工非常精細。</text>
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                <text>苗族 The Miao</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>#26</text>
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                <text>贵州黔东南苗族侗族自治州雷山县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Leishan County </text>
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                  <text>3. 刺绣 Embroidery</text>
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                <text>雷山古苗衣 Leishan Old Miao Coat</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Flat stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，石榴 Pomegranate，桃子 Peach，由蝴蝶变形而成的花纹 Butterfly-transformed flower pattern</text>
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                <text>（简）苗衣色彩鲜明，在红色底布上绣上青蓝、鹅黄、粉红等亮色，用色大胆、夺目活泼。此苗衣运用了平绣、叠绣和数纱绣。刺绣图案有水果和各种变形为花纹的蝴蝶，十分具想像力和创造力。 《枫木歌》描述道：从树心里生出「妹榜妹留」，妹榜妹留指的就是蝴蝶。蝴蝶逐渐长大，生下十二个蛋，由脊宇鸟抱了16年，孵出了雷公、水龙、老虎、水牛、蜈蚣、老蛇和苗族的祖先——姜央。蝴蝶纹代表苗族祖先，可见制作者表达了对祖先的崇敬与缅怀。&#13;
&#13;
(ENG) Leishan old Miao coat: red base cloth with embroidered bright colours including blue, yellow and pink. The colours used are lively, bold and eye catching. Flat stitch, stack stitch and counted thread stitch are used. The imaginative and creative embroidered patterns include fruits and butterflies metamorphosed as flower patterns. Maple Song states: Mais Bangx Mais Lief (Mama butterfly) was born from the pith of a tree. Mais Bangx Mais Lief refers to a butterfly which gradually grew and laid twelve eggs which were then cared for by the Divine Bird for 16 years. Thunder god, water dragon, tiger, buffalo, centipede, old snake and the ancestor of the Miao, Jiang Yang, hatched from the eggs. The butterfly pattern represents the Miao’s ancestry and cultural heritage and expresses the crafter’s respect for and remembrance of their ancestors.&#13;
&#13;
（繁）苗衣色彩鮮明，在紅色底布上繡上青藍、鵝黃、粉紅等亮色，用色大膽、奪目活潑。此苗衣運用了平繡、疊繡和數紗繡。刺繡圖案有水果和各種變形為花紋的蝴蝶，十分具想像力和創造力。 《楓木歌》描述道：從樹心裡生出「妹榜妹留」，妹榜妹留指的就是蝴蝶。蝴蝶逐漸長大，生下十二個蛋，由脊宇鳥抱了16年，孵出了雷公、水龍、老虎、水牛、蜈蚣、老蛇和苗族的祖先——姜央。蝴蝶紋代表苗族祖先，可見製作者表達了對祖先的崇敬與緬懷。</text>
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                <text>苗族 The Miao</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>雷山县西江镇 Leishan County Xijiang Town</text>
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                  <text>2. 织锦 Weaving</text>
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                <text>革东苗族盛装服饰（套装 ）Gedong Miao Costume (set)</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/-------coloured-brocade"&gt;彩锦 Coloured brocade&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------crossing-stitch"&gt;挑花 Crossing stitch&lt;/a&gt;，八角星 Octagram pattern，万字纹 Gammadia，人纹 Human figures，回纹 Circular-letter pattern</text>
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                <text>（简）整套服饰分为上衣，围腰，百褶裙。该地区苗族服饰喜用黑、白、红三色，服饰通体黑色为主，织锦及刺绣部分大体采用红色及白色点缀。此服饰运用了彩锦、数纱绣和挑花。服饰的主要图案为八角星图案、万字纹、并列的小人、回纹、曲折纹等古老的几何纹饰。这些图案又都均匀地分布在大的菱形几何纹中，在衣服的后背、前胸、围腰上进行装饰点缀，工整而有序。整套服饰庄重、典雅，图案如天上繁星点缀般灵动。服饰上古老的图案仿佛印证着革东—这一苗族分支久远的历史。&#13;
&#13;
(ENG) Gedong Miao costume: comprises three parts: (i) top coat, (ii) bellyband and (iii) pleated skirt. Black, white and red are commonly used in Gedong Miao costumes. Black often forms the base colour of the costume, with brocades and embroideries in red and white. Coloured brocade, counted thread stitch and crossing stitch are used. It is decorated with ancient geometric ornamentations, including octagram patterns (the octagonal star is an ancient astrological map first discovered at the Gaimiao cultural site with pottery slabs displaying the octagonal star pattern dating back 7,800 years), Gammadia (an ancient fulu often considered as symbols of sun and fire), juxtaposed human figures, circular letter patterns and zigzag patterns. These patterns are evenly distributed within larger rhombus shaped patterns that embellish the back, chest and waist areas of the costume. These neat and orderly decorations add glimmer and shimmer to the costume, echoing the ways in which stars dot and embellish our night sky.  The decorations complement the solemn and elegant nature of the costume. The ancient patterns on this costume are testimony to the rich history of the Gedongs, who are a branch of the Miao ethnic group. &#13;
&#13;
（繁）整套服飾分為上衣，圍腰，百褶裙。該地區苗族服飾喜用黑、白、紅三色，服飾通體黑色為主，織錦及刺繡部分大體採用紅色及白色點綴。此服飾運用了彩錦、數紗繡和挑花。服飾的主要圖案為八角星圖案、萬字紋、並列的小人、迴紋、曲折紋等古老的幾何紋飾。這些圖案又都均勻地分佈在大的菱形幾何紋中，在衣服的後背、前胸、圍腰上進行裝飾點綴，工整而有序。整套服飾莊重、典雅，圖案如天上繁星點綴般靈動。服飾上古老的圖案彷彿印證著革東—這一苗族分支久遠的歷史。</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州东部剑河县革东镇 Guizhou East Jianhe County Gedong Town</text>
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                  <text>3. 刺绣 Embroidery</text>
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                <text>苗族绣花衣 The Miao Embroidered Coat</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------couched-braid-stitch"&gt;辫绣 Couched braid stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------crossing-stitch"&gt;挑花 Crossing stitch&lt;/a&gt;，人物 Human figure，建筑 Architecture，蝴蝶妈妈 Butterfly mother，花草 Flower and grass</text>
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                <text>（简）花衣整体为黑色，刺绣则用红色底布和各种绿色丝线，如深绿、浅绿、嫩绿等，俗称红底绿花，以强烈的对比色来衬托服饰色彩的艳丽。此花衣运用了辫绣和挑花。主要的刺绣图案为双龙纹，龙头幻化成鸟头或锦鸡的头。双龙所簇拥着的是一栋房屋，房屋图案虽简单，屋檐却十分形象传神。房屋里还有一个人物造型，人物下方是一只幻化成花的蝴蝶妈妈，形态生动可爱，寓意着庇护着苗族的先祖们。&#13;
&#13;
(ENG) Miao embroidered coat: predominantly black with embroidered silk threads in various shades of green (eg: dark green, light green, leaf green) on top of a red base cloth. This combination is commonly known as ‘red base with green flowers’, and makes use of strong complementary colours to add visual interest. The main pattern is the double dragon pattern. The dragon head is transformed into the head of a bird or a golden pheasant. The double dragon is surrounding a house. Although the house pattern is simple, the eaves are vivid and lively. There is a human figure inside the house. Below the figure is Mais Bangz Mais Lief (Mother Butterfly) turning into a flower. Mother Butterfly is vivid and endearing, and she symbolises the ancestors who shelter the descendants of the Miao people. &#13;
&#13;
（繁）花衣整體為黑色，刺繡則用紅色底布和各種綠色絲線，如深綠、淺綠、嫩綠等，俗稱紅底綠花，以強烈的對比色來襯托服飾色彩的艷麗。此花衣運用了辮繡和挑花。主要的刺繡圖案為雙龍紋，龍頭幻化成鳥頭或錦雞的頭。雙龍所簇擁著的是一棟房屋，房屋圖案雖簡單，屋簷卻十分形像傳神。房屋裡還有一個人物造型，人物下方是一隻幻化成花的蝴蝶媽媽，形態生動可愛，寓意著庇護著苗族的先祖們。</text>
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                <text>贵州黔东南苗族侗族自治州雷山县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Leishan County </text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，放射状八角星 Octagram pattern</text>
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                <text>（简）苗衣的刺绣集中在领口、肩部和衣袖，整体的蓝绿色调十分的雅致。此苗衣运用了叠绣。这件服饰是叠绣工艺的完美体现，叠绣满布，不仅每个用三角形重叠出来的图案非常工整、精细，就连组成图案的每个小三角都十分均匀一致。刺绣图案为排列的方形，每个方形里面都绣有一个放射状八角星，刺绣得十分紧实，可见制作者的认真态度和高超技艺。 &#13;
&#13;
(ENG) Miao coat: embroidery concentrated around the collar and shoulder area as well as the sleeves. The overall bluish-green colour tone signifies elegance. Stack stitch is used. This piece is a perfect realization of the craftsmanship of stack stitch. The coat is fully decorated with stack stitch. Not only the patterns formed from overlapping triangles neat and intricate, the small triangles that form the patterns are themselves even and identical. The embroidery pattern is arranged in squares, with each square embroidered with an octagram pattern. Neat and compact, the embroidery shows the profound attitude and superb skills of its creator.  &#13;
&#13;
（繁）苗衣的刺繡集中在領口、肩部和衣袖，整體的藍綠色調十分的雅緻。此苗衣運用了疊繡。這件服飾是疊繡工藝的完美體現，疊繡滿佈，不僅每個用三角形重疊出來的圖案非常工整、精細，就連組成圖案的每個小三角都十分均勻一致。刺繡圖案為排列的方形，每個方形裡面都繡有一個放射狀八角星，刺繡得十分緊實，可見製作者的認真態度和高超技藝。</text>
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                <text>民国 Republic of China</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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            <name>Identifier</name>
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                <text>凯里市凯棠镇 Kaili Kaitang Town</text>
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                  <text>2. 织锦 Weaving</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/-------coloured-brocade"&gt;彩锦 Coloured brocade&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------knot-stitch"&gt;打籽绣 Knot stitch&lt;/a&gt;，几何纹 Geometric pattern，鸟纹 Bird pattern，蝴蝶纹 Butterfly pattern，云雷纹</text>
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                <text>（简）背带的底布和刺绣部分都采用了较深沉的色调，如深红色、淡绿色和紫蓝色，朴素简约。此背带运用了彩锦和打籽绣。刺绣图案集中在中间部分，主要是相连的几何纹，构图精细，排列紧密。背带是少数民族背小孩的工具，常用蜡染，织锦，刺绣工艺来制作，是贵州少数民族服饰文化中非常重要的一部分。每件背带的制作都相当耗时耗工，表达着母亲对孩子深深的爱和美好祝愿。&#13;
&#13;
(ENG) Miao baby carrying belt: the base fabric and embroidery use dark tones such as crimson, light green and bluish-purple, creating a ** effect. Coloured brocade and knot stitch are used. The embroidery patterns are concentrated around the centre, and are mainly connected geometric patterns, with fine composition and compact arrangement. Baby carrying belts are used by ethnic minorities to swaddle their babies and are a crucial part of the Guizhou ethnic minority clothing culture. They are usually produced with artisan techniques such as batik, brocade and embroidery.  Each baby carrying belt is time consuming and laborious to make and is a beautiful display of a mother’s deep love and future hopes for her child.  &#13;
&#13;
（繁）背帶的底布和刺繡部分都採用了較深沉的色調，如深紅色、淡綠色和紫藍色，樸素簡約。此背帶運用了彩錦和打籽繡。刺繡圖案集中在中間部分，主要是相連的幾何紋，構圖精細，排列緊密。背帶是少數民族背小孩的工具，常用蠟染，織錦，刺繡工藝來製作，是貴州少數民族服飾文化中非常重要的一部分。每件背帶的製作都相當耗時耗工，表達著母親對孩子深深的愛和美好祝願。</text>
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                <text>苗族 The Miao</text>
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                <text>民国 Republic of China</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>#513</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>台江县革一镇革一乡 Taijiang County Geyi Town Geyi Village</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，几何纹 Geometric pattern</text>
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                <text>（简）盛装衣袖子、肩部和領口的刺繡以红色调为主，如大红，桃红，艳红，在黑色底布的襯托下更為鲜明夺目。此盛装衣運用了数纱绣 ，黄平数纱绣图案多以几何纹為主，构图精细，對稱工整。該藏品除了使用紅色繡線，还使用了白色和黄色，使整件服饰图案更為清晰，色彩更明亮。此外，部分年长的苗族婦女也会使用蓝色或紫色丝线制作盛装衣。&#13;
&#13;
(ENG) Miao festive coat: black base fabric with vivid and eye catching embroideries on the sleeves, shoulders and neckline in red tones such as scarlet, peach and ruby red. Counted thread stitch is used. Most of the Huangping counted thread stitch patterns are geometric patterns, with intricate and symmetrical composition. In addition to the use of red embroidery thread, white and yellow threads are also used to make the whole coat pattern clearer and to add colour and brightness. &#13;
&#13;
（繁）盛裝衣袖子、肩部和領口的刺繡以紅色調為主，如大紅，桃紅，艷紅，在黑色底布的襯托下更為鮮明奪目。此盛裝衣運用了數紗繡 ，黃平數紗繡圖案多以幾何紋為主，構圖精細，對稱工整。該藏品除了使用紅色繡線，還使用了白色和黃色，使整件服飾圖案更為清晰，色彩更明亮。此外，部分年長的苗族婦女也會使用藍色或紫色絲線製作盛裝衣。</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>贵州黔东南苗族侗族自治州黄平县 Guizhou Qiandongnan Miao and Dong Autonomous Prefecture Huangping County </text>
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&#13;
(ENG) Miao bib: blue base fabric with a first layer of white fabric, a second layer of black fabric and a third layer of red fabric. The colour combination is sharp and elegant. Appliqué is used. The patterns on the bib may seem simple, but it is thoughtfully made. Although there are only bats and Ruyi patterns, the application of the pattern makes the bib look lively and interesting, with the small Ruyi placed within the large Ruyi as well as within the bat. All kinds of Ruyi interweave and surround one another. These exquisitely crafted and intricate pattern designs are a manifestation of the deep maternal love Miao mothers have for their children. &#13;
&#13;
（繁）口水兜除藍色底部外，還使用了3種顏色的貼佈製作，第一層為白色，第二層為黑色，第三層為紅色，色彩搭配鮮明又不失典雅。此口水兜運用了剪貼繡。此件藏品的圖案看似簡單，實則非常用心。圖案上雖只有蝙蝠和如意這兩種圖案，但圖案的套用讓該口水兜十分生動有趣。大如意裡套著小如意，蝙蝠裡套著小如意，還有各種如意的圍繞與交錯。甚富巧思的圖案設計和精細的造工也表達了苗族媽媽對孩子的深厚母愛和美好祝福。</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>黎平县水口镇 Liping County Shuikou Town</text>
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                  <text>3. 刺绣 Embroidery</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------crossing-stitch"&gt;挑花 Crossing stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------splicing-stitch"&gt;镶拼 Splicing stitch&lt;/a&gt;</text>
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                <text>（简）披肩主要采用了红色调和黄色调的丝线，鲜艳夺目，活泼明亮。此披肩运用了挑花和镶拼。刺绣图案为各种排列方式的正方形和长方形，并用线条和几何图形填满矩形。除了主色调的红色和黄色，制作者也加入了其他颜色的丝线，如深红色、橙色和绿色，令刺绣图案更有层次感，披肩颜色也更为丰富。披肩的整体构图左右对称，绣纹排列工整，做工十分精细，可见制作者的认真态度和高超技艺。&#13;
&#13;
(ENG) Shawl: bright, vibrant and eye catching shawl embroidered with red and yellow toned thread. Crossing stitch and splicing stitch are used. Embroidery patterns are various arrangements of squares and rectangles filled with lines and geometric shapes. Other than the main colour tones of red and yellow, embroidery threads in other shades such as deep red, orange and green are added to create a sumptuous layering effect. Composition of the shawl is bilaterally symmetrical, with neatly arranged embroidered patterns. The shawl is intricately made and displays a high level of craftsmanship.  &#13;
&#13;
（繁）披肩主要採用了紅色調和黃色調的絲線，鮮豔奪目，活潑明亮。此披肩運用了挑花和鑲拼。刺繡圖案為各種排列方式的正方形和長方形，並用線條和幾何圖形填滿矩形。除了主色調的紅色和黃色，製作者也加入了其他顏色的絲線，如深紅色、橙色和綠色，令刺繡圖案更有層次感，披肩顏色也更為豐富。披肩的整體構圖左右對稱，繡紋排列工整，做工十分精細，可見製作者的認真態度和高超技藝。</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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                <text>六盘水市六枝特区 Liupen Liuzhi Special District </text>
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                <text>雷山文字衣 Leishan Chinese Characters Clothing</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------wrinkling-stitch"&gt;皱绣 Wrinkling stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stem-stitch"&gt;轴绣 Stem stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------counted-thread-stitc"&gt;数纱绣 Counted thread stitch&lt;/a&gt;，&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------stack-stitch"&gt;叠绣 Stack stitch&lt;/a&gt;，文字 Chinese characters，囍福 Fortune pattern，盘长 Shrivatsa，寿纹 Shou pattern</text>
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                <text>（简）文字衣的领口、肩部和袖子采用红色底布，上面绣满文字刺绣，在黑色袖口和下摆的衬托下分外夺目耀眼。此文字衣运用了皱绣、轴绣、数纱绣和叠绣。文字衣绣有各种吉祥图案，如盘长、寿纹，以及文字——「功成精巧」。文字刺绣是该藏品的最大特色，制作者将文字变成图纹，例如袖子上被压成三角形的「福」字，甚具创意和想像力。这件藏品绣法多样，文字信息丰富，收藏价值甚高。&#13;
&#13;
(ENG) Leishan Chinese characters clothing: red base fabric for the collar, shoulder area and sleeves, embroidered with Chinese characters. The characters are particularly dazzling and eye catching against the black cuffs and hem. Wrinkling stitch, stem stitch, counted thread stitch and stack stitch are used. Embroidered auspicious patterns include Shrivatsa, Shou and the Chinese text “功成精巧” , which means ‘achievement and exquisiteness’. Text embroidery is the most iconic feature of this piece. With great creativity and imagination, the creator has turned characters into patterns, such as the “福” character pressed into a triangle on the sleeves. This piece makes use of various stitching techniques with rich text messages and is a highly valuable part of the collection.&#13;
&#13;
（繁）文字衣的領口、肩部和袖子採用紅色底布，上面繡滿文字刺繡，在黑色袖口和下擺的襯托下分外奪目耀眼。此文字衣運用了皺繡、軸繡、數紗繡和疊繡。文字衣繡有各種吉祥圖案，如盤長、壽紋，以及文字——「功成精巧」。文字刺繡是該藏品的最大特色，製作者將文字變成圖紋，例如袖子上被壓成三角形的「福」字，甚具創意和想像力。這件藏品繡法多樣，文字信息豐富，收藏價值甚高。</text>
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                <text>晚清 Late Qing Dynasty</text>
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                <text>&lt;a href="https://lanmama.lib.hku.hk/items/show/101"&gt;雷山文字衣 Leishan Chinese Characters Clothing (#27)&lt;/a&gt;</text>
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