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                <text>3. 刺绣 Embroidery</text>
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              <text>白领苗背带 The Bailing Miao Baby Carrying Belt</text>
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              <text>&lt;a href="https://lanmama.lib.hku.hk/exhibits/show/embroidery-technique/----------flat-stitch"&gt;平绣 Flat stitch&lt;/a&gt;，蝴蝶纹 Butterfly pattern，脊宇鸟纹 Divine bird pattern，回纹 Circular-letter pattern</text>
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              <text>（简）背带在黑色底布上绣有大面积的蝴蝶纹和脊宇鸟纹，这两个图案皆常见于苗族刺绣、蜡染和织锦，表达了对祖先的崇敬与缅怀。此背带运用了平绣。在苗族的传说中，蝴蝶和脊宇鸟是生育和哺育自己的祖先。《枫木歌》描述道：从树心里生出「妹榜妹留」，妹榜妹留指的就是蝴蝶。蝴蝶逐渐长大，生下十二个蛋，由脊宇鸟抱了16年，孵出了雷公、水龙、老虎、水牛、蜈蚣、老蛇和苗族的祖先——姜央。&#13;
&#13;
(ENG) Baby carrying belt: flat stitch with a large area of embroidered butterfly and divine bird patterns. Butterfly and divine bird patterns are frequently found in Miao embroidery, batik and brocade and are implicated with veneration of the dead. According to the myths of the Miao, butterflies and divine birds are the ancestors who gave birth to and nursed the Miao. As described in the Maple Song: Mais Bangx Mais Lief (Mother butterfly) is born from the pith of the tree. Mais Bangx Mais Lief refers to a butterfly which gradually grew and gave birth to twelve eggs. The twelve eggs were then incubated by the divine bird for 16 years. The gods of thunder, water dragon, tiger, buffalo, centipede, the old serpent and ancestors of the Miao- Jangx Vangb hatched from the eggs.&#13;
&#13;
（繁）背帶在黑色底布上繡有大面積的蝴蝶紋和脊宇鳥紋，這兩個圖案皆常見於苗族刺繡、蠟染和織錦，表達了對祖先的崇敬與緬懷。此背帶運用了平繡。在苗族的傳說中，蝴蝶和脊宇鳥是生育和哺育自己的祖先。《楓木歌》描述道：從樹心裡生出「妹榜妹留」，妹榜妹留指的就是蝴蝶。蝴蝶逐漸長大，生下十二個蛋，由脊宇鳥抱了16年，孵出了雷公、水龍、老虎、水牛、蜈蚣、老蛇和苗族的祖先——姜央。</text>
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              <text>苗族-白领苗 The Miao - Bailing Miao</text>
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              <text>上世纪50年代 Last century 50s</text>
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              <text>贵州兰妈妈多彩衣妆苗绣博物馆馆藏 Lanmama Museum Collection</text>
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              <text>#910</text>
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              <text>丹寨县复兴乡 Danzhai County Fuxing Town</text>
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